{"id":104662,"date":"2026-04-11T23:58:57","date_gmt":"2026-04-12T02:58:57","guid":{"rendered":"https:\/\/ubirataonline.com.br\/barbie-ferreira-talks-faces-of-death-mile-end-kicks-double-bill\/"},"modified":"2026-04-11T23:58:57","modified_gmt":"2026-04-12T02:58:57","slug":"barbie-ferreira-talks-faces-of-death-mile-end-kicks-double-bill","status":"publish","type":"post","link":"https:\/\/ubirataonline.com.br\/en\/barbie-ferreira-talks-faces-of-death-mile-end-kicks-double-bill\/","title":{"rendered":"Barbie Ferreira Talks &#8216;Faces of Death&#8217;, &#8216;Mile End Kicks&#8217; Double Bill"},"content":{"rendered":"<p><\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tIt\u2019s a big week for <a href=\"https:\/\/deadline.com\/tag\/barbie-ferreira\/\" id=\"auto-tag_barbie-ferreira\" data-tag=\"barbie-ferreira\">Barbie Ferreira<\/a>, who delivers powerful leading performances in two drastically different new movies.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tWith horror reimagining <em><a href=\"https:\/\/deadline.com\/tag\/faces-of-death\/\" id=\"auto-tag_faces-of-death\" data-tag=\"faces-of-death\">Faces of Death<\/a><\/em> now in theaters, and music-driven romantic comedy <em><a href=\"https:\/\/deadline.com\/tag\/mile-end-kicks\/\" id=\"auto-tag_mile-end-kicks\" data-tag=\"mile-end-kicks\">Mile End Kicks<\/a><\/em> premiering April 17, the actress spoke to Deadline about \u201cspreading my wings\u201d after <a href=\"https:\/\/deadline.com\/2022\/08\/euphoria-barbie-ferreira-says-she-wont-be-back-for-season-3-of-hbo-series-1235099809\/\" target=\"_blank\" rel=\"noreferrer noopener\">leaving <em><a href=\"https:\/\/deadline.com\/tag\/euphoria\/\" id=\"auto-tag_euphoria\" data-tag=\"euphoria\">Euphoria<\/a><\/em><\/a> back in 2022.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t\u201cIt just felt like for me, what I wanted to do is act and be able to do different roles, and if <em>Euphoria<\/em> was going to serve that for me, I would have happily done it forever, however long it would have been,\u201d she explained. \u201cBut It wasn\u2019t really letting me show my range. In fact, it was kind of diminishing as time went on, and it was like, what makes me happy is acting and growing my career.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tFerreira added, \u201cSo, it just felt like a very personal decision where I, really deep down, don\u2019t care if what I\u2019m doing is the biggest show of all time, as long as I\u2019m creatively fulfilled. It\u2019s truly all that I care about.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tAfter filming <em>Faces of Death<\/em> in New Orleans back in 2023, Ferreira was starting to think the Isa Mazzei and Daniel Goldhaber update of the 1978 horror mockumentary wouldn\u2019t see the light of day, which would have been an unfortunately fitting outcome, given controversy around the original film led to it being banned in many countries.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:1024px;\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((576\/1024)*100%);\">\n<p>\t\t\t\t\t\t<\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-padding-tb-025\">\n<p>\t\t\t\t\t<span class=\" lrv-u-font-size-16 lrv-u-font-size-14@mobile-max lrv-a-font-body-m u-font-style-italic lrv-u-font-weight-bold lrv-u-font-family-primary u-line-height-20 u-letter-spacing-0 u-line-height-18@mobile-max\">Barbie Ferreira and Dacre Montgomery in \u2018Faces of Death\u2019<\/span><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t\u201cI thought I learned a whole big lesson in Hollywood. I\u2019m like, \u2018Oh, showbiz! You could shoot a whole movie, and it doesn\u2019t even come out,&#8217;\u201d she said, adding: \u201cIt felt like such a fun, good movie, that it finally is coming out and we\u2019re all just so hyped about it. It\u2019s been this thing where I\u2019m just like, \u2018It\u2019s <em>Faces of Death<\/em>. Are they going to censor us? Are they not going to put us in theaters? Are they not gonna even come out with it, period?\u2019 So, this moment is just so satisfying, because it\u2019s been so long of me stressing over the fact that this wonderful, super cool, scary as fuck horror movie isn\u2019t getting any attention because of things that don\u2019t even have nothing to do with the art, has nothing to do with the film.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tIn <em>Mile End Kicks<\/em>, Ferreira stars as music critic Grace, a character inspired by writer-director Chandler Levack\u2019s days in the 2011 Montreal scene.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t\u201cObviously, Grace is very different than Chandler in general, but having a reference point is so sick as an actor, because you really get to bounce ideas off of a real person with real motivations, with a real personality,\u201d she noted. \u201cIt\u2019s not an ambiguous person that you\u2019re making up in your head, so you are the only one who understands this. I got to really bounce ideas off of her, because it is so based off her life.\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:1024px;\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((576\/1024)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?w=300\" alt=\"\" data-lazy-srcset=\"https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png 3840w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=150,84 150w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=300,169 300w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=1024,576 1024w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=1536,864 1536w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=2048,1152 2048w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=600,338 600w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=178,100 178w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=125,70 125w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=660,370 660w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=1280,720 1280w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=1000,563 1000w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=910,511 910w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=681,383 681w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=450,253 450w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=250,140 250w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=296,166 296w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=248,139 248w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=200,112 200w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=270,152 270w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=60,34 60w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=352,198 352w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=110,62 110w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=285,160 285w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=320,180 320w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=640,360 640w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEKHero.png?resize=800,450 800w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"576\" width=\"1024\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-padding-tb-025\">\n<p>\t\t\t\t\t<span class=\" lrv-u-font-size-16 lrv-u-font-size-14@mobile-max lrv-a-font-body-m u-font-style-italic lrv-u-font-weight-bold lrv-u-font-family-primary u-line-height-20 u-letter-spacing-0 u-line-height-18@mobile-max\">Barbie Ferreira in \u2018Mile End Kicks\u2019<\/span><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tFerreira explained that she\u2019s a \u201ccompletely different actress\u201d and \u201cdifferent person\u201d since exiting <em>Euphoria<\/em>, which is evident in her current films, as well as her performances in <em>Unpregnant<\/em> (2020), <em>Nope<\/em> (2022), <em>Bob Trevino Likes it<\/em> (2024) and <em>House of Spoils<\/em> (2024).<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t\u201cSo, it\u2019s cool to show me as I grow up, grow as an actor,\u201d added Ferreira.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tRead on about Barbie Ferreira\u2019s new movies, <em>Faces of Death<\/em> and <em>Mile End Kicks<\/em>, as well as her departure from <em>Euphoria<\/em>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>DEADLINE: <em>Tell me what was it like updating this horror cult classic and getting to play a \u201cfinal girl.\u201d\u00a0<\/em><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>BARBIE FERREIRA:<\/strong> It\u2019s a dream come true. I mean, since I was a little kid, I\u2019ve been fascinated with the darker parts of life. I loved horror, I loved the \u201cfinal girl.\u201d I also separately love a revenge story. I think to me, that\u2019s probably my favorite lane in film is revenge. I think Quentin Tarantino does a very good job of that. And like, <em>Faster, Pussycat! Kill! Kill!<\/em>, all these very femme fatale movies where the girl gets their lick back. It\u2019s always been my favorite thing in the world. So, for me to be able to have this arc in the film was so satisfying, because those are usually my favorite kinds of films, is a woman seeking revenge.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>DEADLINE: <em>I love that. That\u2019s actually my favorite Tarantino movie, <\/em>Death Proof<em>.<\/em><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>FERREIRA:<\/strong> Yeah, <em>Death Proof<\/em> is my favorite too. Oh my God!\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>DEADLINE: <em>One element of <\/em>Faces of Death<em> that was updated for the reboot, is the darkness of social media. Can you tell me about immersing yourself in that aspect and how you deal with it personally?\u00a0<\/em><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>FERREIRA:<\/strong> For the film, it was an incredibly immersive process where I\u2019m playing a content moderator, so I spent a lot of time getting in that headspace of watching clips online that were very violent. And to be honest, it was too easy, and that\u2019s the problem. I think that\u2019s the whole thing about the movie, is that going online, it\u2019s the easiest thing in the world to see horrible violence and horrible accidents and horrible gore at any time, and it only has gotten more relevant in the past few years since we shot it. In fact, I think throughout these few years since we filmed, I remember I see these big videos going viral of the wars and all these things. I\u2019m like, \u201cOh my god, it\u2019s only getting more relevant.\u201d In fact, it\u2019s so normalized now, that it\u2019s almost like we didn\u2019t even notice that it was normalized. The algorithm has slowly become what it is now. And for me, what I do personally is I try to really train my algorithm to be dogs and cats being silly, and funny drag queen podcasts, and my friends who are comedians. I think that\u2019s a very conscious decision that you have to make, which sucks. I mean, the internet should just be dog and cat videos unless you are searching for violence or sex or something. That should be the baseline, not the other way around where I have to fight to go see a cat be rescued from a tree. So, I just really make sure that my algorithm\u2014because I know I\u2019m not going to get off my phone. There\u2019s this dream that we\u2019re all going to be unplugged in like a commune in in a farm in like Colorado. It\u2019s not gonna happen for me, I guess. So, what I\u2019ve learned is just how to have a relationship with the internet, especially as it evolves, and it always is changing because of the nature of technology.\u00a0Now there\u2019s AI, now there\u2019s this, now there\u2019s that, now this person owns Twitter so you can see whatever the fuck you want. It\u2019s always constantly changing. It\u2019s just because we\u2019re always constantly adapting and we don\u2019t know what the repercussions are of what\u2019s happening in our brains. So, during the movie, I was watching a lot of more old school internet videos of accidents and deaths of that nature, just to get in the headspace and also to know what I was watching [in the movie] because on a computer, it\u2019s green screen\u2014just a little film tidbit. So, it was a lot of Danny [Goldhaber] and Isa [Mazzei] and Paris Peterson, shout out them, sending me tons of links to more lively videos, things that you would see on the internet. And the worst part is, is that anyone can see these videos at any time, and it\u2019s not even something that\u2019s behind a paywall or an age restriction wall. It\u2019s just there.\u00a0<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:1024px;\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((577\/1024)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?w=300\" alt=\"\" data-lazy-srcset=\"https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg 2870w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=150,84 150w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=300,169 300w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=1024,577 1024w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=1536,865 1536w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=2048,1153 2048w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=600,338 600w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=178,100 178w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=125,70 125w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=660,370 660w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=1280,721 1280w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=1000,563 1000w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=910,511 910w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=681,383 681w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=450,253 450w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=250,140 250w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=296,166 296w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=248,139 248w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=200,112 200w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=270,152 270w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=60,34 60w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=352,198 352w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=110,62 110w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=285,160 285w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=320,180 320w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=640,360 640w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/FACES-OF-DEATH-Still-3-1.jpg?resize=800,450 800w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"577\" width=\"1024\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-padding-tb-025\">\n<p>\t\t\t\t\t<span class=\" lrv-u-font-size-16 lrv-u-font-size-14@mobile-max lrv-a-font-body-m u-font-style-italic lrv-u-font-weight-bold lrv-u-font-family-primary u-line-height-20 u-letter-spacing-0 u-line-height-18@mobile-max\">Barbie Ferreira in \u2018Faces of Death\u2019<\/span><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>DEADLINE: <em>I\u2019ve also loved seeing like Charli XCX make her acting transition recently. What was it like working with her and duking it out?\u00a0<\/em><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>FERREIRA:<\/strong> I mean, this was her first acting role that she shot, and now she\u2019s like a big movie star, pop star. It was before <em>Brat<\/em>. Like, you don\u2019t understand, this was a year before <em>Brat<\/em>. We were the OG fans. I\u2019ve known Charli for a long time and have been such a fan of hers throughout her all her albums, and been to all her shows. The Brat Summer was huge for me. I went to about 17 shows. Thank you, Charli, for the tickets. I would bring the cast of <em>Mile End Kicks<\/em>. I\u2019m like, \u201cLet\u2019s go, it\u2019s Brat, baby.\u201d So, it was just really fun. It was her first acting job. It was so cool to be there. She\u2019s at that point she was so in her stage element, the recording studio, that was her element. I\u2019ve always seen her performing in her space and at the Greek Theater or whatever, and backstage. It was cool to see her come into my world, where it\u2019s a little bit less glamorous, where we\u2019re shooting in Louisiana, this sort of indie, sort of not, horror movie, where it\u2019s like 15 hours a day, and the call time\u2019s 4am. So, it\u2019s really fun to see her in that element and outside of the the big glamorous pop star, cool girl that she is and really in character. It was really fun.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>DEADLINE: <em>Yeah, it was fun to watch her too. And I wanna ask about Mile End Kicks. Tell me about immersing yourself in the music scene of 2011 Montreal.<\/em><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>FERREIRA:<\/strong> In 2011, I was probably 15, and I was in Jersey, but I would sneak out to New York and go to all these kind of DIY shows or raves and all these things when I was way too young. And I remember just being in a creative city, New York, and specifically in Brooklyn, navigating being a young adult in that space. And so for me, I was an American Apparel model. I was very young, but I was in the indie sleaze world towards the end, and I was very much not the cool girl at the party because I was 17. And so for me, it was really fun. I got to spend a lot of time in Montreal, which I love that city so much. Honestly, shout out Montreal. The like Quebecois people are so fucking fire. I love it. I used to go when I was a model for a day or two, but I never really had a chance to explore the city. And so, Grace was a person who didn\u2019t speak French. Clearly, if you watch the movie, you can tell I don\u2019t speak French. I do speak Portuguese though, so I am bilingual,  just my defense in general. But Grace doesn\u2019t know French, she\u2019s kind of this arrogant person from Toronto that comes in and thinks the whole world revolves around her, and I\u2019m an American walking into Montreal, realizing that any time I go to any other country that\u2019s not America, I realize how fiercely American I am and how narcissistic I am because I think the whole world revolves around America, because we\u2019re taught that in school. It\u2019s really crazy how we think the whole world revolves around us, even subconsciously. It\u2019s just the schooling system and our media and everything. So, I felt really like I was like prepped for it. I was like, \u201cOK, I\u2019m in the city. I\u2019m this arrogant American that everyone hates because I don\u2019t speak French and I\u2019m too loud and whatever.\u201d And it felt like I was really exploring the city with Grace and having this kind of a relationship with Montreal. As the movie was progressing, my love for it grew. Having Juliette [Gari\u00e9py] and Robert [Naylor], who are French Canadians, having them show me around the city\u2014and Juliette is the coolest girl in Montreal, dead ass, she absolutely is the coolest girl there. She runs that shit. We\u2019d walk around town, everyone\u2019s saying hi to her. It was just so cool to be immersed in that world. I just think it\u2019s such a sick city, and it\u2019s still so creative, like going to vinyl sets in the basement of a bar. It was just so cool.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:1024px;\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((577\/1024)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?w=300\" alt=\"\" data-lazy-srcset=\"https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg 3424w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=150,84 150w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=300,169 300w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=1024,577 1024w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=1536,865 1536w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=2048,1153 2048w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=600,338 600w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=178,100 178w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=125,70 125w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=660,370 660w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=1280,721 1280w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=1000,563 1000w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=910,511 910w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=681,383 681w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=450,253 450w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=250,140 250w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=296,166 296w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=248,139 248w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=200,112 200w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=270,152 270w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=60,34 60w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=352,198 352w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=110,62 110w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=285,160 285w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=320,180 320w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=640,360 640w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/MEK_Grain_jpeg00102273-1-1.jpg?resize=800,450 800w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"577\" width=\"1024\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-padding-tb-025\">\n<p>\t\t\t\t\t<span class=\" lrv-u-font-size-16 lrv-u-font-size-14@mobile-max lrv-a-font-body-m u-font-style-italic lrv-u-font-weight-bold lrv-u-font-family-primary u-line-height-20 u-letter-spacing-0 u-line-height-18@mobile-max\">Devon Bostick and Barbie Ferreira in \u2018Mile End Kicks\u2019<\/span><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>DEADLINE: <em>That makes me want to visit. What was it like building this character with Chandler Levack, inspired by her?<\/em><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>FERREIRA:<\/strong> It was very much inspired by Chandler. I wore a lot of her t-shirts. I got a similar haircut to her. It\u2019s always great to have a reference point. Obviously, Grace is very different than Chandler in general, but having a reference point is so sick as an actor, because you really get to bounce ideas off of a real person with real motivations, with a real personality. It\u2019s not an ambiguous person that you\u2019re making up in your head, so you are the only one who understands this. I got to really bounce ideas off of her, because it is so based off her life. Obviously, I\u2019m an American woman who wasn\u2019t 24 in 2011, so it was really cool to build it with her. I wore a lot of her old t-shirts. I made sure to always copy her accent as much as possible and really create Grace as an amalgamation of Chandler, me and a third other thing.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>DEADLINE: The whole coming-of-age love triangle aspect was great, but what was it like filming those really awkward sex scenes with Chevy? I was just cringing watching it the whole time.\u00a0<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>FERREIRA:<\/strong> Oh my God, when I read the script, I literally remember reading the sex scenes, and I was like, \u201cThis is way too real. I\u2019ve never seen this depicted in a film.\u201d When you\u2019re shooting it, it\u2019s obvious we\u2019re in a super hot apartment. This was not on a soundstage at all. These are on location in tiny Montreal apartments, there\u2019s like a hundred people in one room, everyone\u2019s sweating. Me and Stanley [Simons] are trying to simulate sex the best way possible, with the intimacy coordinator and with Chandler. So, every sex scene that we did was just so, in the best way possible, nasty, that it felt actually like there wasn\u2019t a pressure. In fact, it felt so real what we were doing, that I didn\u2019t feel like what I guess a woman in any movie, anyone, would be like, \u201cDo I look good? Are my boobs sitting right? Am I performing this sexily?\u201d It actually was such a pressure not to do that ,because I\u2019m playing this kind of femcel, a girl who is being led on by this man who doesn\u2019t know what he wants at all. And so, it felt like I could really be awkward, and because it is awkward\u2014it\u2019s an awkward thing to shoot a sex scene, no matter what. So, it felt like the realness of the awkwardness was, especially with someone that I know, like Stanley and I have been talking for, we\u2019ve been hanging out with Devin [Bostick] and everyone, it is awkward. And so, we really played into it, and it really worked with the sex scenes specifically, because it felt like I could really be as vulnerable as possible and use the awkwardness, the uncomfortableness of the muggy room, the dozen people watching all this. It just felt like it was  perfect for a sex scene like that.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>DEADLINE: <em>Well, you played it flawlessly. It definitely felt relatable.\u00a0<\/em><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>FERREIRA:<\/strong> We made love but we didn\u2019t. There was no lovemaking in <em>Mile End Kicks<\/em>.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>DEADLINE: <em>You have two vastly different movies out this month. What\u2019s it like being able to see both of those come to fruition and also being an executive producer on one of them?\u00a0<\/em><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>FERREIRA:<\/strong> It\u2019s really cool because we shot <em>Faces of Death<\/em> years ago. I thought I learned a whole big lesson in Hollywood. I\u2019m like, \u201cOh, showbiz! You could shoot a whole movie, and it doesn\u2019t even come out.\u201d And whatever kind of Hollywood politics was happening, it was above my pay grade for sure. I didn\u2019t know what was going on, but I kind of had lost hope for a second. I was like, \u201cOh, we just got lost in the studio system and all these things.\u201d And so, for it to come out the same week as <em>Mile End Kicks<\/em> is truly bizarre to me. It\u2019s so cool that these two things are coming out within a week. I remember when they first told me that, I was like, \u201cOh shit, oh damn. OK, I\u2019m gonna be put to work in April, and March, and probably May too.\u201d I was excited. It feels really cool, because I think both of these movies are so part of who I am as an actor, and show different sides of me that people haven\u2019t seen before. Also, one is an indie that I\u2019m producing, which I really had a lot of fun. I always have a lot of fun producing indie films because I get to really develop it from the start and really be part of the creative process, which I love doing whenever anyone would like to have me there. And I also have this kind of studio horror film that I didn\u2019t have that kind of relationship with, but it felt like it was my first leading role.\u00a0It was. It felt like such a fun, good movie, that it finally is coming out and we\u2019re all just so hyped about it. It\u2019s been this thing where I\u2019m just like, \u201cIt\u2019s <em>Faces of Death<\/em>. Are they going to censor us? Are they not going to put us in theaters? Are they not gonna even come out with it, period?\u201d So, this moment is just so satisfying, because it\u2019s been so long of me stressing over the fact that this wonderful, super cool, scary as fuck horror movie isn\u2019t getting any attention because of things that don\u2019t even have nothing to do with the art, has nothing to do with the film. It has to do with studios and companies and changing CEOs and changing teams and things that I don\u2019t even know about, because I\u2019m just over here in LA, just chilling with my dog and cats and stuff. I have no idea what\u2019s going on. So, I just am really excited that this is all right now, and it\u2019s just cool because it\u2019s two extremely different movies. I\u2019ve been really intentionally waiting for these films to come out before I take on anything else, because I think the last time people have really seen me act is either <em>Bob Trevino Likes It<\/em>, or it\u2019s mostly <em>Euphoria<\/em>, where I was a teenager and\u2014not really, but playing a teenager and I\u2019m a 30-year-old woman now\u2014I\u2019m a completely different actress, different person. So, it\u2019s cool to show me as I grow up, grow as an actor. And even <em>Faces of Death<\/em>, which is a few years ago, it\u2019s like this is the beginning of my change in my actor journey. In <em>Faces of Death<\/em> and <em>Mile End Kicks<\/em>, I\u2019m two very different actors, in my skill sets and my process. It\u2019s just cool to see both of them out at the same time, even though they\u2019re so drastically different. It actually helps me, because I don\u2019t get confused. I don\u2019t get confused at all.\u00a0<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:1024px;\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((577\/1024)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?w=300\" alt=\"\" data-lazy-srcset=\"https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg 1391w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=150,85 150w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=300,169 300w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=1024,577 1024w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=600,338 600w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=177,100 177w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=125,70 125w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=660,370 660w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=1280,721 1280w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=1000,563 1000w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=910,511 910w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=681,383 681w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=450,253 450w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=250,140 250w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=296,166 296w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=248,139 248w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=200,112 200w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=270,152 270w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=60,34 60w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=352,198 352w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=110,62 110w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=285,161 285w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=320,180 320w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=640,361 640w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/04\/STILL_01_1bc8af.jpg?resize=800,451 800w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"577\" width=\"1024\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-padding-tb-025\">\n<p>\t\t\t\t\t<span class=\" lrv-u-font-size-16 lrv-u-font-size-14@mobile-max lrv-a-font-body-m u-font-style-italic lrv-u-font-weight-bold lrv-u-font-family-primary u-line-height-20 u-letter-spacing-0 u-line-height-18@mobile-max\">Stanley Simons and Barbie Ferreira in \u2018Mile End Kicks\u2019<\/span><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>DEADLINE: <em>Since it\u2019s coming out around the same time, I\u2019m curious, has leaving <\/em>Euphoria<em> given you more freedom to pursue these kinds of roles and really spread your wings?\u00a0<\/em><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>FERREIRA:<\/strong> 100%. I mean, even just logistically. When you\u2019re on a TV show that shoots for that long, it\u2019s actually logistically, you\u2019re supposed to be in LA. You have to get approval to do a movie, to leave town. You can\u2019t do that for nine months, and then in between seasons, we don\u2019t know when it\u2019s going to shoot, so you\u2019re constantly kind of held down to LA. And it just felt like for me, what I wanted to do is act and be able to do different roles, and if <em>Euphoria<\/em> was going to serve that for me, I would have happily done it forever, however long it would have been. But It wasn\u2019t really letting me show my range. In fact, it was kind of diminishing as time went on, and it was like, what makes me happy is acting and growing my career. And I don\u2019t think that me staying on the show, even though it\u2019s extremely popular, and I understand a lot of people watch it and everyone\u2019s tweeting about it, everyone\u2019s talking about it, it\u2019s always to me as an actor, what\u2019s most important is the fact that I get to portray different roles and characters and learn about acting and filmmaking and getting characters with depth, which I think Kat definitely had Season 1, but I don\u2019t think that was really the tea after that. So, it just felt like a very personal decision where I, really deep down, don\u2019t care if what I\u2019m doing is the biggest show of all time, as long as I\u2019m creatively fulfilled. It\u2019s truly all that I care about, and so, I try to always think that way. And doing indie movies is so fun because these filmmakers really saw outside of anything I\u2019ve ever done before, they took a chance on me. They\u2019ve seen me as a goth teenager cam-girling, and they really saw something in me, and I don\u2019t think a lot of studios or bigger directors would have done that because they\u2019re pretty risk-adverse, or I just wasn\u2019t on their radar at all, because of my diminishing role on <em>Euphoria<\/em>. So, it has freed up everything. When one door closes, an indie door opens, and it\u2019s very different. Obviously, I\u2019m not on a show that is so talked about and famous and all these things, and that was really fun to do at the time, but it just, for me, wasn\u2019t worth it for my ambitions as an actress.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>DEADLINE: <em>Yeah, I\u2019ve worked on a few indie movies, and I know how much more fun it can be without studios breathing down your neck and all that, so I get it. <\/em><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>FERREIRA:<\/strong> Also, these incredible filmmakers that I\u2019ve been working with, they\u2019re up and coming. They have fresh perspectives, on me, even. I mean, I was even getting offered a role on Broadway. I was like, \u201cYou guys see me like this, and not just as, again, a goth teenager who has a bob. That\u2019s so cool. For me, it was just really about spreading my wings and just weighing the pros and cons about what I deeply want, and not what other people want from me.<\/p>\n<\/div>\n<p><a href=\"https:\/\/deadline.com\/2026\/04\/barbie-ferreira-faces-of-death-mile-end-kicks-after-euphoria-1236842159\/\">Source link <\/a><br \/>\nSee more https:\/\/theglobaltrack.com\/<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It\u2019s a big week for Barbie Ferreira, who delivers powerful leading performances in two drastically different new movies. With horror reimagining Faces of Death now in theaters, and music-driven romantic comedy Mile End Kicks premiering April 17, the actress spoke to Deadline about \u201cspreading my wings\u201d after leaving Euphoria back in 2022. \u201cIt just felt [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":104663,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow2JLhCw:productID":"","_gspb_post_css":"","maa_idioma":"","maa_pais":"","footnotes":""},"categories":[1],"tags":[22815,6932,5762,12614,3825,8265,9917,20909,3431],"class_list":["post-104662","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ubirata","tag-barbie","tag-bill","tag-death","tag-double","tag-faces","tag-ferreira","tag-kicks","tag-mile","tag-talks"],"blocksy_meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.6 (Yoast SEO v27.6) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Barbie Ferreira Talks &#039;Faces of Death&#039;, &#039;Mile End Kicks&#039; 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