{"id":116752,"date":"2026-04-27T12:10:37","date_gmt":"2026-04-27T15:10:37","guid":{"rendered":"https:\/\/ubirataonline.com.br\/lily-allens-revenge-harry-styles-dorothy-and-debbie-harrys-t-shirt-20-onstage-dresses-ranked-fashion\/"},"modified":"2026-04-27T12:10:40","modified_gmt":"2026-04-27T15:10:40","slug":"lily-allens-revenge-harry-styles-dorothy-and-debbie-harrys-t-shirt-20-onstage-dresses-ranked-fashion","status":"publish","type":"post","link":"https:\/\/ubirataonline.com.br\/en\/lily-allens-revenge-harry-styles-dorothy-and-debbie-harrys-t-shirt-20-onstage-dresses-ranked-fashion\/","title":{"rendered":"Lily Allen\u2019s \u2018revenge\u2019, Harry Styles\u2019 Dorothy and Debbie Harry\u2019s T-shirt \u2013 20 onstage dresses ranked! | Fashion"},"content":{"rendered":"<p><br \/>\n<\/p>\n<div>\n<h2 id=\"20-pj-harvey\" class=\"dcr-n4qeq9\">20. PJ Harvey<\/h2>\n<figure id=\"0e7e0b51-f3bb-4301-8e84-e0cfae2d8834\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">\u2018Second skin\u2019 \u2026 Harvey at the O2 Academy in Brixton, London, in 2016.<\/span> Photograph: Joseph Okpako\/WireImage<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">\u201cDressed like a fabulously turned-out carrion crow,\u201d is how <a href=\"https:\/\/www.theguardian.com\/music\/2016\/nov\/06\/pj-harvey-live-brixton-academy-hope-six\" data-link-name=\"in body link\">our reviewer described <\/a>the gothic, avian-like get-up PJ Harvey wore to perform her journalistic and theatrical ninth album, The Hope Six Demolition Project, in Brixton, south London, in 2016. The dress was the work of Harvey\u2019s longtime friend, the Belgian designer Ann Demeulemeester, and epitomises the more dramatic stage looks \u2013 melodramatic but pared-back \u2013 that Harvey turned to for her later, darker albums. <a href=\"https:\/\/www.stylezeitgeist.com\/pj-harvey-ann-demeulemeester-patrick-robyn\/\" data-link-name=\"in body link\">As she said of the clothes<\/a>: \u201cFor me, it\u2019s about the ability to meet the world. And it is a second skin, isn\u2019t it? It\u2019s protection, as well. It\u2019s a very big part of clothing, the feeling of protection, particularly in Ann\u2019s clothes.\u201d Who would have thought that someone who earlier in their career took to the stage in Spice Girls co-ords and hot-pink catsuits would wind up in such serious Belgian high-fashion? <em>Ellie Violet Bramley<\/em><\/p>\n<figure id=\"5b9ac7cc-6460-4ccc-91df-c7fa5b507c1b\" data-spacefinder-role=\"richLink\" data-spacefinder-type=\"model.dotcomrendering.pageElements.RichLinkBlockElement\" class=\"dcr-47fhrn\"><gu-island name=\"RichLinkComponent\" priority=\"feature\" deferuntil=\"idle\" props=\"{&quot;richLinkIndex&quot;:3,&quot;element&quot;:{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.RichLinkBlockElement&quot;,&quot;prefix&quot;:&quot;Related: &quot;,&quot;text&quot;:&quot;Mother Mary review \u2013 Anne Hathaway and Michaela Coel are lost in ludicrous pop star drama&quot;,&quot;elementId&quot;:&quot;5b9ac7cc-6460-4ccc-91df-c7fa5b507c1b&quot;,&quot;role&quot;:&quot;richLink&quot;,&quot;url&quot;:&quot;https:\/\/www.theguardian.com\/film\/2026\/apr\/14\/mother-mary-movie-review-anne-hathaway&quot;},&quot;ajaxUrl&quot;:&quot;https:\/\/api.nextgen.guardianapps.co.uk&quot;,&quot;format&quot;:{&quot;design&quot;:10,&quot;display&quot;:2,&quot;theme&quot;:4}}\"\/><\/figure>\n<h2 id=\"19-lily-allen\" class=\"dcr-n4qeq9\">19. Lily Allen<\/h2>\n<figure id=\"e568e0de-470d-434a-8c3c-79d7cb89d62d\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Final stretch \u2026 Allen at the Auditorium theatre, Chicago, this month, during her West End Girl tour.<\/span> Photograph: Emma McIntyre\/Getty Images for Live Nation<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">It\u2019s been called the ultimate revenge dress; on stage in Chicago earlier this year, performing a track called 4Chan Stan from her breakup album West End Girl, <a href=\"https:\/\/www.theguardian.com\/music\/lilyallen\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\">Lily Allen<\/a> wore a dress printed with enlarged images of receipts, which some fans have linked to an an alleged affair on the part of her ex-husband. \u201cNever been Bergdorf\u2019s \/ But you took someone shopping there on May 24 \/ You bought her a handbag \/ It wasn\u2019t cheap \/ I was in London \/ Probably asleep,\u201d she sang, as she unfurled herself from the dress showing credit card transactions and texts. It\u2019s a piece of pop performance art, created with the help of co-creative director Anna Fleische and stylist Mel Ottenberg, from a pop star who made a name for herself in the mid-2000s performing in more seemingly cobbled-together ensembles of gold hoops, Nike high-tops and prom-style dresses. <em>EVB<\/em><\/p>\n<h2 id=\"18-harry-styles\" class=\"dcr-n4qeq9\">18. Harry Styles<\/h2>\n<figure id=\"bf132d1d-9b6e-4372-bbe2-02ed9e812714\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Styles wearing a Gucci \u2018Dorothy\u2019 dress during one of his fancy dress party concerts at Madison Square Garden in New York, October 2021. <\/span> Photograph: Theo Wargo\/Getty Images for HS<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">Harry Styles has been a determined subverter of gender stereotypes over the years but his actual dress wearing has been greatly exaggerated. Aside from a Vogue shoot, this is the only time the popstar has worn one to perform. Still, he went all in for \u201cHarryween\u201d at Madison Square Garden back in 2021, dressing up as \u201cDorothy\u201d in a bespoke blue and white gingham dress by Gucci, marking (or perhaps peaking?) his long-term collaboration with the brand, accessorised with red ruby slippers and a stuffed Wizard of Oz Toto. Proof that the man looks as good in gingham as he does in his fancy chore jackets from SS Daley, this was lighthearted Harry giving his fanbase what they want (in comparison with his aloof little <a href=\"https:\/\/www.theguardian.com\/music\/2026\/mar\/01\/harry-styles-fake-stage-invaders-and-a-censored-peter-mandelson-joke-the-biggest-moments-at-the-brit-awards\" data-link-name=\"in body link\">number at the most recent Brit awards<\/a>). The fans and the papers gobbled it up, naturally. <em>Morwenna Ferrier<\/em><\/p>\n<h2 id=\"17-joni-mitchell\" class=\"dcr-n4qeq9\">17. Joni Mitchell<\/h2>\n<figure id=\"13c29799-7425-42f2-8d35-4ee67be05105\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Not so mellow yellow \u2026 Mitchell at the Isle Of Wight festival in 1970.<\/span> Photograph: Tony Russell\/Redferns<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">Although she couldn\u2019t have known it, this marigold-orange dress with turquoise jewellery was the perfect look for her <a href=\"https:\/\/www.theguardian.com\/music\/2020\/jul\/07\/joni-mitchell-isle-of-wight-1970-iconic-festival-sets\" data-link-name=\"in body link\">1970 Isle of Wight festival performance<\/a>, since described by Mitchell <a href=\"https:\/\/www.npr.org\/sections\/allsongs\/2018\/09\/12\/646751133\/they-fed-me-to-the-beast-joni-mitchell-at-the-isle-of-wight-festival\" data-link-name=\"in body link\">as \u201ca bit of a disaster\u201d<\/a>. A rowdy, riled-up crowd wasn\u2019t giving her the respect she deserved and, instead of being cowed, she called them out \u2013 \u201cYou\u2019re acting like tourists, man. Give us some respect!\u201d It won them over. This was Mitchell, 26 at the time, giving as good as she got. A bit of a departure from the more boho, floaty aesthetic for which she is best known, but which doesn\u2019t quite fit the real-life \u201cfancy French cologne\u201d and \u201cclean white linen\u201d beloved of the singer. Mitchell doesn\u2019t need a dress to make her stand out, but that day, in front of a lairy crowd, her pared-down but vivid dress may have helped. <em>EVB<\/em><\/p>\n<h2 id=\"16-geri-horner-halliwell\" class=\"dcr-n4qeq9\">16. Geri Horner (Halliwell)<\/h2>\n<figure id=\"3364bd6a-598e-4fbc-b35d-861f3f3cb197\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Horner when Halliwell performing with the Spice Girls at the Brit awards in February 1997.<\/span> Photograph: Dave Benett\/Getty Images<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">The union jack has taken on very different associations in 2026. But 1997 was a different time. Worn by Horner a year after the Spice Girls\u2019 debut album came out, when pop culture and politics had culminated in optimistic Blair-mania, the flag swiftly became shorthand for a camper side of Britpop that bordered on sexy (not to mention a go-to Halloween costume for decades that followed). Horner later auctioned it off to the The Hard Rock Cafe, which paid a record-breaking \u00a341,000 for it, and the style was later resurrected in the 2007 Spice Girls comeback tour by Roberto Cavalli. Never mind that the dress is a little black Gucci number, designed by Tom Ford, with a tea towel sewn on the front. <em>MF<\/em><\/p>\n<h2 id=\"15-bjork\" class=\"dcr-n4qeq9\">15. Bj\u00f6rk<\/h2>\n<figure id=\"31b35edb-45d0-4d82-b84a-6f74c3749b08\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Oceans apart \u2026 Bj\u00f6rk at the Athens Olympics opening ceremony in August 2004.<\/span> Photograph: Adrees Latif\/Reuters<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">With a look like a thought-provoking fever dream, it\u2019s impossible to pick the best of the Icelandic popstar\u2019s costumes, given the maelstrom of sensational, often ornate, always striking costumes that she has worn to perform over the past 30 plus years (she has, in fact, worked before with her friend, the designer Iris van Herpen). But this dress, worn to perform at the Athens Olympics in 2004, wins for sheer scale. Its 210 metres of fabric expanded out across the stadium floor. <a href=\"https:\/\/www.olympics.com\/en\/news\/bjork-that-dress-and-the-extraordinary-athens-2004-opening-ceremony\" data-link-name=\"in body link\">She said backstage at the show:<\/a> \u201cI represent the ocean and the idea is that my dress floods the stadium.\u201d Notable mentions also for the clam shell helmet she wore in 2011 to perform at Bestival and the <a href=\"https:\/\/wwd.com\/pop-culture\/celebrity-news\/bjork-coachella-2023-performance-1235615287\/\" data-link-name=\"in body link\">otherwordly work of Japanese designer Noir Kei Ninomiya she wore to Coachella in 2023<\/a>. No one does it quite like Bj\u00f6rk. <em>EVB<\/em><\/p>\n<h2 id=\"14-rosalia\" class=\"dcr-n4qeq9\">14. Rosal\u00eda<\/h2>\n<figure id=\"0f267ea0-e895-45fe-9cf8-6e533eb755e4\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Rosal\u00eda on stage at the Brit awards in Manchester, 2026.<\/span> Photograph: JMEnternational\/Getty Images<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">Operatic, balletic and classical \u2013 all the things Timoth\u00e9e Chalamet takes umbrage with \u2013 but with a grungey, Berghain-inflected twist, Rosal\u00eda\u2019s music is so soaring and dramatic that she probably doesn\u2019t need the help of costumes. But she\u2019s getting it anyway; this design, worn to perform at the Brits in Manchester earlier this year, is a custom design by Andreas Kronthaler for Vivienne Westwood. It\u2019s just one of an orchestra\u2019s worth of high-drama looks that <a href=\"https:\/\/www.theguardian.com\/music\/rosalia\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\">Rosal\u00eda<\/a> has been wearing to deliver the high-notes and thrilling strings of her (sold out in London) Lux tour. If anyone has any tickets to sell, please let me know. <em>EVB<\/em><\/p>\n<h2 id=\"13-grace-slick\" class=\"dcr-n4qeq9\">13. Grace Slick<\/h2>\n<figure id=\"d6b73ce4-ceed-4469-bb93-c4d607406dfa\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Fringe benefits \u2026 Grace Slick with Jefferson Airplane at the Woodstock festival, New York, in 1969.<\/span> Photograph: Archive Photos\/Getty Images<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">Jefferson Airplane\u2019s Grace Slick was partial to a kaftan and a Jesus sandal. But it was here, headlining Woodstock in 1969 in a white fringed tunic-dress worn over flares, that she cemented her role as the archetypal, dusky-eyed hippy pin-up capable of also belting out some pretty powerful social anthems. The colour choice was deliberate, in contrast to the tie-dye that surrounded her. Note the snail-shell buttons, outdoorsy, weird, at one with nature. On that, 1969 was a very muddy year. \u201cI thought, \u2018August \u2013 it will be hot and dry on the East Coast\u201d, said Slick, according to her biography. \u201cI suppose I could have been funky and walked around in the mud and played with it on me, but I was kind of being prissy.\u201d <em>MF<\/em><\/p>\n<h2 id=\"12-diana-ross\" class=\"dcr-n4qeq9\">12. Diana Ross<\/h2>\n<figure id=\"4d0052c2-a4fd-485a-8466-034964ff0bf7\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Diana Ross on The Midnight Special in 1976.<\/span> Photograph: NBC\/NBCUniversal\/Getty Images<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">Never knowingly under-sparkled, Diana Ross set the bar for many of today\u2019s popstars, and not by chance. This design, and many Ross wore over the years, is by that famous designer of diva fashion, Bob Mackie. Ross wore this Mackie dress in 1976 for a performance on The Midnight Special. Although dramatic by most people\u2019s standards, it\u2019s one of her more demure looks \u2013 particularly when you put it alongside the colossal dress, complete with 18fT train, she wore to <a href=\"https:\/\/www.vogue.co.uk\/article\/diana-ross-2025-met-gala\" data-link-name=\"in body link\">the Met Gala in 2025<\/a>. <em>EVB<\/em><\/p>\n<h2 id=\"11-amy-winehouse\" class=\"dcr-n4qeq9\">11. Amy Winehouse<\/h2>\n<figure id=\"fa4aee6b-c06b-437e-9cad-16a97274a9fb\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Amy Winehouse during her final concert in Belgrade, Serbia in 2011.<\/span> Photograph: Brian Rasic\/Getty Images<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">The late singer was so wedded to her hitched-up Betsey Johnson skirts and Dolce &amp; Gabbana mini dresses that, along with the ragged beehive and Rimmel eyeliner, she was almost convincing as a 60s popstar reborn in the indie sleaze era. But it was this acid-print halter dress, designed by her friend and longtime stylist, Naomi Parry, and worn for her final concert in Belgrade in 2011 that best married her two worlds. Parry, who is in the news <a href=\"https:\/\/www.theguardian.com\/music\/2026\/apr\/20\/amy-winehouse-father-mitch-loses-high-court-battle-against-her-friends\" data-link-name=\"in body link\">over a court case with Winehouse\u2019s father<\/a>, is said to have designed a whole collection for what would have been her summer tour the same year. <em>MF<\/em><\/p>\n<h2 id=\"10-madonna\" class=\"dcr-n4qeq9\">10. Madonna<\/h2>\n<figure id=\"0c781bb0-626f-465d-9d6f-ad5c800a729d\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Madonna on stage at Madison Square Garden during her Who\u2019s That Girl tour in 1987.<\/span> Photograph: Vinnie Zuffante\/Getty Images<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">More of a catsuit or conical bra wearer on stage, <a href=\"https:\/\/www.theguardian.com\/music\/madonna\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\">Madonna<\/a> only rarely seems to step out in a showstopping dress. But, on the 1987 Who\u2019s That Girl world tour she did. Earlier in the show she actually wore a maximalist Dame Edna Everage-inspired dress to sing Material Girl. But it was this flamenco-inspired dress, complete with corsetry and flouncethat she wore to sing La Isla Bonita, that gave the kind of theatricality that Madonna is best known for. It\u2019s no Jean Paul Gaultier bra \u2013 that invention wouldn\u2019t appear until her 1990 Blond Ambition tour \u2013 but it gave a flavour of the sartorial drama to come. <em>EVB<\/em><\/p>\n<h2 id=\"9-taylor-swift\" class=\"dcr-n4qeq9\">9. Taylor Swift<\/h2>\n<figure id=\"7aaa8957-bbb8-433f-80e4-1dfda16980a5\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Showstopper \u2026 Swift on stage during the Eras Tour at the SoFi stadium, LA, in 2023.<\/span> Photograph: Kevin Winter\/TAS23\/Getty Images for TAS Rights Management<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">Apologies to the millions I\u2019ll offend but it\u2019s hard to love Taylor Swift\u2019s hoof-shaped boots and shiny tights, particularly given her massive tour wardrobe \u2013 44 songs, 10 eras, everything from Versace to Roberto Cavalli \u2013 arguably doubles up as a commentary on the pressure for modern pop stars to reinvent themselves in the modern age! But Swift\u2019s powder-blue split-shoulder embellished Alberta Ferretti dress, worn for the Folklore segment, is showstopping, elegant and right side of ethereal for the biggest pop star in the world. And much more arresting than the leotards. She looks good in blue and a red lip, and the J Mendel custom-made gown she wore for the Into the Woods video is chicer, but it\u2019s not a stage dress so here we are. <em>MF<\/em><\/p>\n<h2 id=\"8-mia\" class=\"dcr-n4qeq9\">8. MIA<\/h2>\n<figure id=\"ebda6bb1-1473-43e4-8651-d1f91743cbcd\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Rapper MIA on stage at the Grammy awards at the Staples Center, Los Angeles, in 2009.<\/span> Photograph: John Shearer\/WireImage<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">MIA <a href=\"https:\/\/www.theguardian.com\/music\/2009\/feb\/16\/mia-baby-boy-grammy-awards\" data-link-name=\"in body link\">went into labour within hours of this performance<\/a> at the Grammys in 2009. Always unapologetically herself, this dress, which was a creation by British designer Henry Holland, encapsulated that. Now, popstars performing while very visibly pregnant is no big deal \u2013 Rihanna of course used her 2023 Superbowl halftime performance to reveal, with a little help from a Loewe catsuit, that she was pregnant. But <a href=\"https:\/\/www.theguardian.com\/lifeandstyle\/2018\/jul\/31\/baby-pregnancy-pop-stars-bump-cardi-b\" data-link-name=\"in body link\">MIA was a frontrunner<\/a>, and as with everything women do that bucks any kind of status quo, she encountered the wrath of the internet: bloggers called her a \u201cskanky ho who couldn\u2019t wait to get her baby about before getting back in the game!\u201d. <em>EVB<\/em><\/p>\n<h2 id=\"7-josephine-baker\" class=\"dcr-n4qeq9\">7. Josephine Baker<\/h2>\n<figure id=\"07e4e7a6-fe87-4e46-aca7-21227e2f9a4f\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Josephine Baker during her final concert at Bobino theatre, Paris in 1975, not long before her death.<\/span> Photograph: James Andanson\/Sygma via Getty Images<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">Seen by some as<a href=\"https:\/\/www.forbes.com\/sites\/sonariglinton\/2025\/06\/24\/josephine-baker-how-the-first-global-pop-star-broke-the-rules\/\" data-link-name=\"in body link\"> the first global pop star<\/a>, the Franco-American might have been best known for the banana skirt she wore to perform the Danse Sauvage in 1926. But her onstage looks, which have echoed down the decades and inspired the likes of Rihanna, Beyonc\u00e9 and Aretha Franklin, went well beyond the potassium-rich fruit. This flamingo-pink gown epitomises her most flamboyant onstage style and was one of the last costumes she wore, to perform at a 50th anniversary concert in Paris in 1975 at the age of 68. She died a few weeks later. Baker\u2019s style might have been spectacular, but it belied a talent for stealth; the singer was a wartime a spy for the French resistance. <a href=\"https:\/\/www.theguardian.com\/culture\/2025\/apr\/06\/josephine-baker-the-superstar-turned-spy-who-fought-the-nazis-and-for-civil-rights\" data-link-name=\"in body link\">Later turning her skills to activism in the US civil rights <\/a>movement; she <a href=\"https:\/\/www.theguardian.com\/fashion\/2023\/jan\/23\/dior-revives-the-spirit-of-josephine-baker-as-its-catwalk-guiding-light\" data-link-name=\"in body link\">wore Dior suits to march shoulder-to-shoulder with Martin Luther King<\/a>. <em>EVB<\/em><\/p>\n<h2 id=\"6-tina-turner\" class=\"dcr-n4qeq9\">6. Tina Turner<\/h2>\n<figure id=\"da84bc7b-f1f2-4e8c-ba24-abfff976342b\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Disco diva \u2026 Tina Turner on stage.<\/span> Photograph: Richard Young\/Rex\/Shutterstock<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">Just so disco and on-the-nose of what you might want a popstar to wear, it\u2019s little wonder that this flaming dress was worn not only by Tina Turner but also Cher and, later, Beyonc\u00e9 in a tribute to Turner. The over-the-hip-bone slits are a touch of cut-genius from Mackie, who <a href=\"https:\/\/www.nytimes.com\/2023\/05\/25\/fashion\/tina-turner-bob-mackie-designer-costumes.html\" data-link-name=\"in body link\">reportedly said his cardinal rule of dressing the River Deep, Mountain High singer<\/a> was \u201cyou couldn\u2019t cover anything up\u201d. He later said: \u201cIt was kind of a cavewoman dress. It didn\u2019t just hang there like an old Halloween costume. She worked it. Tina had the best body, with the longest legs, and she used it all. When she was on stage she became rock\u2019n\u2019roll.\u201d From on-stage in the 70s with Turner, where it was originally worn with a cape made of orange turkey feathers, to the V&amp;A in South Kensington, <a href=\"https:\/\/www.theguardian.com\/music\/2023\/jun\/20\/tina-turner-outfits-v-and-a-diva-exhibition-prince-elton-john-bob-mackie-singer\" data-link-name=\"in body link\">the dress went on display as part of a 2023 blockbuster exhibition called Diva<\/a>. <em>EVB<\/em><\/p>\n<h2 id=\"5-debbie-harry\" class=\"dcr-n4qeq9\">5. Debbie Harry<\/h2>\n<figure id=\"de92df7c-5919-475a-b61f-d1d2f9ce943c\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Debbie Harry performing with Blondie in 1979.<\/span> Photograph: Sheila Rock\/Shutterstock<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">Debbie Harry has been photographed wearing many cool things in her time, including a black dress covered with 3,000 blunt razor blades to the Q awards and a zebra print dress that was actually a pillowcase found by her landlord in the bin for Creem magazine. But it\u2019s the plain white T-shirt, worn here in 1979 as a dress as if she\u2019d just found it on her boyfriend\u2019s bathroom floor, that matched her low-key bubblegum brand of punk. Harry loved T-shirts, famously the Doctor X one. And with those cheekbones and that skin, why bother with anything else? <em>MF<\/em><\/p>\n<h2 id=\"4-beyonce\" class=\"dcr-n4qeq9\">4. Beyonc\u00e9<\/h2>\n<figure id=\"81f7a6ac-c009-4d08-8be8-4ce3cad712b8\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Beyonc\u00e9 performing at the Grammy awards at the Staples Center, Los Angeles in 2017.<\/span> Photograph: Kevin Winter\/Getty Images for Naras<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">From a Mugler bee costume to cowboy hats and chaps, Beyonc\u00e9\u2019s back catalogue is a rich tapestry of incredible onstage looks. But it was a creation by former Roberto Cavalli creative director, Peter Dundas, which <a href=\"https:\/\/time.com\/4668868\/beyonce-grammys-2017\/\" data-link-name=\"in body link\">reportedly took 50 people a week to embroider<\/a>, that arguably takes the crown. Influenced by the golden work of Gustav Klimt, the dress had not only Bey\u2019s own face on it, but also references the <a href=\"https:\/\/www.britannica.com\/topic\/Oshun\" data-link-name=\"in body link\">Yoruba goddess Oshun<\/a> (associated with love, sexuality and fertility; Bey was pregnant with twins Sir and Rumi at the time), as well as lyrics from her song Love Drought. It was topped off with a very on-brand halo. <em>EVB<\/em><\/p>\n<h2 id=\"3-cher\" class=\"dcr-n4qeq9\">3. Cher<\/h2>\n<figure id=\"a22e0baa-5cfe-449d-bc26-12d9a98f8b69\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Cher wearing a Bob Mackie illusion gown for a performance on her variety show Cher.<\/span> Photograph: CBS Photo Archive\/Getty Images<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">\u201cShe had anywhere from 15 to 30 outfits in one show, so after a while, you forget you even did it\u201d. <a href=\"https:\/\/www.theguardian.com\/culture\/cher\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\">Cher<\/a> met Bob Mackie, in 1967 when she appeared on The Carol Burnett Show. Mackie was the costume designer, and the pair went on to collaborate for decades; indeed, it was Mackie who took Cher out of the crochet and flares and into the ab-baring naked dresses and illusion rhinestone gowns. The best ones \u2013 the most fun and sexy \u2013 appeared on the Cher show, her solo variety gig after her divorce from Sonny Bono. At the start of each set, Cher would emerge from some sort of cover-up or coat and, with an insouciant little clap, walk down the stage to perform. And there is something quite profound now about watching a woman in her 20s, newly single, emerging from a cocoon into a butterfly dress at the start of what would be an incredible solo career. <em>MF<\/em><\/p>\n<h2 id=\"2-rihanna\" class=\"dcr-n4qeq9\">2. Rihanna<\/h2>\n<figure id=\"e74fc3a0-10ba-4677-81e1-7b8cb308e5ce\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Rihanna at the Victoria\u2019s Secret show in New York in 2012.<\/span> Photograph: Kevin Mazur\/WireImage<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">Rihanna has never been a big dress wearer on stage, so it\u2019s a pity that she saved her best one for the hellscape that is a Victoria\u2019s Secret show. Still, on stage in New York and flanked by angels twice her height, what a look it was. A black custom-made Vivienne Westwood gown \u2013 you may recognise the white version of this as one of the most popular wedding dresses on the market \u2013 lace gloves, thigh-high Gucci boots, pearl choker, Chanel sunglasses and the brand\u2019s requisite mall-lingerie peeking out underneath. Top tier stuff, not least because this is 2012, a simpler time when celebrities were not always contractually obliged to wear a head-to-toe look by one fashion house \u2013 which is often the case now. <em>MF<\/em><\/p>\n<h2 id=\"1-grace-jones\" class=\"dcr-n4qeq9\">1. Grace Jones<\/h2>\n<figure id=\"35cb06f0-d598-400c-837b-c925f700e9dc\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Grace Jones during her New Year\u2019s Eve concert at the Roseland Ballroom, New York, in 1987.<\/span> Photograph: Ron Galella Collection\/Getty Images<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">If anyone knows how to dress for the stage \u2013 not to mention in life \u2013 it\u2019s <a href=\"https:\/\/www.theguardian.com\/music\/grace-jones\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\">Grace Jones<\/a>. She and Keith Haring had been working together for a few years already when he created this look \u2013 big-top in scale \u2013 initially for the singer\u2019s I\u2019m Not Perfect (But I\u2019m Perfect For You) music video, then later for a 1987 New Year\u2019s Eve performance at the Roseland Ballroom in New York. (As with most of the seismic creative partnerships of the era, they had been introduced by Andy Warhol.) At 60ft high, it was less of a dress and more of an extravaganza; Haring, by amusing contrast, attended in a pair of blue jeans and crew-neck tee. Jones, who was a muse for good reason to several of the 20th-century\u2019s biggest-name designers, has revisited the look since. She wore a replica to close her edition of London\u2019s Meltdown festival in 2022 and it still felt ahead of its time. <em>EVB<\/em><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.theguardian.com\/fashion\/2026\/apr\/25\/lily-allen-revenge-harry-styles-dorothy-debbie-harry-t-shirt-20-onstage-dresses-ranked\">Source link <\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>20. PJ Harvey \u2018Second skin\u2019 \u2026 Harvey at the O2 Academy in Brixton, London, in 2016. Photograph: Joseph Okpako\/WireImage \u201cDressed like a fabulously turned-out carrion crow,\u201d is how our reviewer described the gothic, avian-like get-up PJ Harvey wore to perform her journalistic and theatrical ninth album, The Hope Six Demolition Project, in Brixton, south London, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":116753,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow2JLhCw:productID":"","_gspb_post_css":"","maa_idioma":"","maa_pais":"","footnotes":""},"categories":[1],"tags":[10447,31533,31532,31534,15827,53,26137,4330,10493,8083,3887,10332,22691],"class_list":["post-116752","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ubirata","tag-allens","tag-debbie","tag-dorothy","tag-dresses","tag-fashion","tag-harry","tag-harrys","tag-lily","tag-onstage","tag-ranked","tag-revenge","tag-styles","tag-tshirt"],"blocksy_meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.6 (Yoast SEO v27.6) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Lily Allen\u2019s \u2018revenge\u2019, Harry Styles\u2019 Dorothy and Debbie Harry\u2019s T-shirt \u2013 20 onstage dresses ranked! | Fashion - Ubirat\u00e3 Online Not\u00edcias - A realidade ao seu alcance!<\/title>\n<meta name=\"description\" content=\"20. 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