{"id":134658,"date":"2026-05-20T10:49:42","date_gmt":"2026-05-20T13:49:42","guid":{"rendered":"https:\/\/ubirataonline.com.br\/a-charming-drama-immersed-in-the-sounds-of-crime\/"},"modified":"2026-05-20T10:49:45","modified_gmt":"2026-05-20T13:49:45","slug":"a-charming-drama-immersed-in-the-sounds-of-crime","status":"publish","type":"post","link":"https:\/\/ubirataonline.com.br\/en\/a-charming-drama-immersed-in-the-sounds-of-crime\/","title":{"rendered":"A charming drama immersed in the sounds of crime"},"content":{"rendered":"<p><\/p>\n<p><span style=\"font-weight: 400;\">Sound design often gets sidelined in favor of a movie\u2019s visual assets or the narrative. It\u2019s most noticeable when the movie is loud as what\u2019s happening on screen, but in a subdued movie like <\/span><i><span style=\"font-weight: 400;\">Tuner<\/span><\/i><span style=\"font-weight: 400;\">, sound design can take center stage. The narrative feature debut from Oscar-winning documentarian Daniel Roher (<\/span><a href=\"https:\/\/www.pastemagazine.com\/movies\/documentaries\/navalny-documentary-scariest-scene\"><i><span style=\"font-weight: 400;\">Navalny<\/span><\/i><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/www.avclub.com\/the-ai-doc-how-i-became-an-apocaloptimist-credulous-doomerism-accelerationism\"><i><span style=\"font-weight: 400;\">The AI Doc: Or How I Became An Apocaloptimist<\/span><\/i><\/a><span style=\"font-weight: 400;\">), immerses the audience in the experience of a character with hyperacusis, an extreme sensitivity to sound that makes everyday noise practically intolerable. As Niki (Leo Woodall) puts on his noise-canceling headphones and earplugs, the sounds of life around him get muffled out, but when alarms and air horns break through the barriers, they cause him extreme pain\u2014something echoed by how these effects sound in the movie.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Because of his condition, Niki has a gift for hearing sounds most people wouldn\u2019t notice, making him a suitable apprentice for Harry (Dustin Hoffman), a semi-retired piano tuner. As Harry falls ill and bills start to mount, Niki struggles with how to keep the small business afloat just tuning pianos. However, a chance encounter with Uri (Lior Raz) and his nephews leads Niki to reveal that he also has a knack for safe-cracking, leading him to an unlikely source of income, stealing just a little bit from people who Uri determines to have too much. Unable to walk away from Uri\u2019s demands to take on more jobs, Niki finds himself and his composer girlfriend Ruthie (Havana Rose Liu) in potential danger.<\/span><\/p>\n<div id=\"revcontent-hidden\"> <!-- revisit --><\/p>\n<p><span style=\"font-weight: 400;\">Written by Roher and Robert Ramsey, <\/span><i><span style=\"font-weight: 400;\">Tuner <\/span><\/i><span style=\"font-weight: 400;\">borrows some well-worn stories about a decent guy falling into crime to pay off debts, like a far less intense <\/span><a href=\"https:\/\/www.avclub.com\/breaking-bad-pilot-1798203677\"><i><span style=\"font-weight: 400;\">Breaking Bad<\/span><\/i><\/a><span style=\"font-weight: 400;\">. And like the scorpion jacket-wearing antihero in <\/span><a href=\"https:\/\/www.avclub.com\/drive-1798169604\"><i><span style=\"font-weight: 400;\">Drive<\/span><\/i><\/a><i><span style=\"font-weight: 400;\">,<\/span><\/i><span style=\"font-weight: 400;\"> Niki\u2019s particular set of skills makes him suited to make some quick illicit cash since his day job isn\u2019t enough to pay off Harry\u2019s debt or help his wife (Tovah Feldshuh). While Niki briefly gets caught up in Uri\u2019s game, he\u2019s clearly always bothered by it, and more or less browbeaten by the imposing man who only seems to want more and more now that he\u2019s found a safe-cracking golden goose. As Niki falls in with the wrong crowd, <\/span><i><span style=\"font-weight: 400;\">Tuner <\/span><\/i><span style=\"font-weight: 400;\">takes on a noir-like tone. This means that certain lines of dialogue don\u2019t always land sincerely, but Roher and Ramsey sustain the suspense around what\u2019s at stake for Niki and those he loves.<\/span><\/p>\n<p><!-- admarker --> <ad\/><\/p>\n<p><span style=\"font-weight: 400;\">Woodall may have been the heartthrob of 2024\u2019s <\/span><i><span style=\"font-weight: 400;\">One Day<\/span><\/i><span style=\"font-weight: 400;\"> and <\/span><a href=\"https:\/\/www.avclub.com\/bridget-jones-mad-about-the-boy-review\"><i><span style=\"font-weight: 400;\">Bridget Jones: Mad About The Boy<\/span><\/i><\/a><span style=\"font-weight: 400;\">, but he gives a much more serious and somber performance as Niki. He\u2019s the heart of the movie: a dutiful apprentice listening and nodding to all of Harry\u2019s jokes, conflicted about what to do when Uri won\u2019t stop calling, and guarded about his hearing sensitivity. Yet, when Ruthie locks eyes with Niki, Woodall\u2019s performance changes, no longer the tough, quiet man but hopeful and vulnerable, and soon enough Liu\u2019s performance as the tough and determined composition student also softens, almost like her character is falling in love in front of the camera. These are subtle but tender scenes, ones that are felt as deeply as the changes of music underscoring their growing relationship.<\/span><\/p>\n<p><!-- inlinecontent_2 --> <\/p>\n<p><span style=\"font-weight: 400;\">To match the protagonist\u2019s piano-tuning skills, Will Bates\u2019 score is full of jazzy piano numbers and songs like \u201cAlmost Like Being In Love\u201d and \u201cSinnerman\u201d (the latter of which might be used in too many movies, great as it is). Editor Greg O\u2019Bryant picks up the story\u2019s tempo with montages, intercutting scenes between the smiling new couple with Niki\u2019s successful outings with Uri, invoking the bubbly high of when everything in life seems to be going swell.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">But where <\/span><i><span style=\"font-weight: 400;\">Tuner <\/span><\/i><span style=\"font-weight: 400;\">truly shines is in the work of Oscar-winning sound designer Johnnie Burn and the film\u2019s sound team as they carefully recreate Niki\u2019s world through the film\u2019s engrossing soundscape. Roher\u2019s technically impressive approach to this element weaves itself organically throughout the film and its story, setting the crime drama apart from more typical crowdpleasers.<\/span><\/p>\n<p><b>Director:<\/b><span style=\"font-weight: 400;\"> Daniel Roher<\/span><br \/><b>Writer: <\/b><span style=\"font-weight: 400;\">Daniel Roher, Robert Ramsey<\/span><br \/><b>Starring: <\/b><span style=\"font-weight: 400;\">Leo Woodall, Havana Rose Liu, Lior Raz, Tovah Feldshuh, Jean Reno, Dustin Hoffman<\/span><br \/><b>Release Date:<\/b><span style=\"font-weight: 400;\"> May 22, 2026<\/span><\/p>\n<p><!-- inlinecontent_2 -->                                  <!-- <\/div>\n\n   --><\/p><\/div>\n<p><a href=\"https:\/\/www.avclub.com\/tuner-review\">Source link <\/a><br \/>\nSee more: https:\/\/theglobaltrack.com\/<br \/>\nhttps:\/\/corinthiames.com.br\/<\/p>","protected":false},"excerpt":{"rendered":"<p>Sound design often gets sidelined in favor of a movie\u2019s visual assets or the narrative. It\u2019s most noticeable when the movie is loud as what\u2019s happening on screen, but in a subdued movie like Tuner, sound design can take center stage. The narrative feature debut from Oscar-winning documentarian Daniel Roher (Navalny, The AI Doc: Or [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":134659,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow2JLhCw:productID":"","maa_idioma":"","maa_pais":"","footnotes":""},"categories":[1],"tags":[37066,1826,9636,37067,23498],"class_list":["post-134658","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ubirata","tag-charming","tag-crime","tag-drama","tag-immersed","tag-sounds"],"blocksy_meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.6 (Yoast SEO v27.6) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>A charming drama immersed in the sounds of crime - Ubirat\u00e3 Online Not\u00edcias - A realidade ao seu alcance!<\/title>\n<meta name=\"description\" content=\"Sound design often gets sidelined in favor of a movie\u2019s visual assets or the narrative. 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