{"id":135762,"date":"2026-05-21T16:45:50","date_gmt":"2026-05-21T19:45:50","guid":{"rendered":"https:\/\/ubirataonline.com.br\/rose-byrne-says-fallen-angels-on-broadway-is-a-dream-role-npr\/"},"modified":"2026-05-21T16:45:52","modified_gmt":"2026-05-21T19:45:52","slug":"rose-byrne-says-fallen-angels-on-broadway-is-a-dream-role-npr","status":"publish","type":"post","link":"https:\/\/ubirataonline.com.br\/en\/rose-byrne-says-fallen-angels-on-broadway-is-a-dream-role-npr\/","title":{"rendered":"Rose Byrne says &#8216;Fallen Angels&#8217; on Broadway is a &#8216;dream&#8217; role : NPR"},"content":{"rendered":"<p><\/p>\n<div id=\"storytext\">\n<div id=\"resg-s1-123260\" class=\"bucketwrap image x-large\">\n<div class=\"imagewrap has-source-dimensions\" data-crop-type=\"\" style=\"&#10;        --source-width: 5400;&#10;        --source-height: 3600;&#10;    \">\n        <picture><source srcset=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/5400x3600+0+0\/resize\/400\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2F60%2F920b07b046e58c53b9beeb1ff121%2Fgettyimages-2200203085.jpg 400w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/5400x3600+0+0\/resize\/600\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2F60%2F920b07b046e58c53b9beeb1ff121%2Fgettyimages-2200203085.jpg 600w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/5400x3600+0+0\/resize\/800\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2F60%2F920b07b046e58c53b9beeb1ff121%2Fgettyimages-2200203085.jpg 800w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/5400x3600+0+0\/resize\/900\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2F60%2F920b07b046e58c53b9beeb1ff121%2Fgettyimages-2200203085.jpg 900w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/5400x3600+0+0\/resize\/1200\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2F60%2F920b07b046e58c53b9beeb1ff121%2Fgettyimages-2200203085.jpg 1200w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/5400x3600+0+0\/resize\/1600\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2F60%2F920b07b046e58c53b9beeb1ff121%2Fgettyimages-2200203085.jpg 1600w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/5400x3600+0+0\/resize\/1800\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2F60%2F920b07b046e58c53b9beeb1ff121%2Fgettyimages-2200203085.jpg 1800w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/5400x3600+0+0\/resize\/2400\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2F60%2F920b07b046e58c53b9beeb1ff121%2Fgettyimages-2200203085.jpg 2400w\" data-template=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/5400x3600+0+0\/resize\/{width}\/quality\/{quality}\/format\/{format}\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2F60%2F920b07b046e58c53b9beeb1ff121%2Fgettyimages-2200203085.jpg\" sizes=\"(min-width: 1350px) 953px, (min-width: 1025px) calc(100vw - 395px), (min-width: 768px) calc(100vw - 60px), calc(100vw - 30px)\" class=\"img\" type=\"image\/webp\"\/><source srcset=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/5400x3600+0+0\/resize\/400\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2F60%2F920b07b046e58c53b9beeb1ff121%2Fgettyimages-2200203085.jpg 400w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/5400x3600+0+0\/resize\/600\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2F60%2F920b07b046e58c53b9beeb1ff121%2Fgettyimages-2200203085.jpg 600w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/5400x3600+0+0\/resize\/800\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2F60%2F920b07b046e58c53b9beeb1ff121%2Fgettyimages-2200203085.jpg 800w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/5400x3600+0+0\/resize\/900\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2F60%2F920b07b046e58c53b9beeb1ff121%2Fgettyimages-2200203085.jpg 900w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/5400x3600+0+0\/resize\/1200\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2F60%2F920b07b046e58c53b9beeb1ff121%2Fgettyimages-2200203085.jpg 1200w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/5400x3600+0+0\/resize\/1600\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2F60%2F920b07b046e58c53b9beeb1ff121%2Fgettyimages-2200203085.jpg 1600w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/5400x3600+0+0\/resize\/1800\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2F60%2F920b07b046e58c53b9beeb1ff121%2Fgettyimages-2200203085.jpg 1800w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/5400x3600+0+0\/resize\/2400\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2F60%2F920b07b046e58c53b9beeb1ff121%2Fgettyimages-2200203085.jpg 2400w\" data-template=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/5400x3600+0+0\/resize\/{width}\/quality\/{quality}\/format\/{format}\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2F60%2F920b07b046e58c53b9beeb1ff121%2Fgettyimages-2200203085.jpg\" sizes=\"(min-width: 1350px) 953px, (min-width: 1025px) calc(100vw - 395px), (min-width: 768px) calc(100vw - 60px), calc(100vw - 30px)\" class=\"img\" type=\"image\/jpeg\"\/><\/picture>\n<\/div>\n<div class=\"credit-caption\">\n<div class=\"caption-wrap\">\n<div class=\"caption\" aria-label=\"Image caption\">\n<p>\n                Rose Byrne poses at a 2025 press conference in Berlin for <em>If I Had Legs I&#8217;d Kick You<\/em>.<br \/>\n                <b class=\"credit\" aria-label=\"Image credit\"><\/p>\n<p>                    Andreas Rentz\/Getty Images Europe<\/p>\n<p>                <\/b><br \/>\n                <b class=\"hide-caption\"><b>hide caption<\/b><\/b>\n            <\/p>\n<\/p><\/div>\n<p>            <b class=\"toggle-caption\"><b>toggle caption<\/b><\/b>\n    <\/div>\n<p>    <span class=\"credit\" aria-label=\"Image credit\"><\/p>\n<p>        Andreas Rentz\/Getty Images Europe<\/p>\n<p>    <\/span>\n<\/div>\n<\/p><\/div>\n<p>Rose Byrne is one of the few actors to receive both an <a href=\"https:\/\/www.npr.org\/2026\/01\/22\/nx-s1-5678922\/2026-oscar-nominations-academy-awards\" target=\"_blank\">Oscar<\/a> and a <a href=\"https:\/\/www.npr.org\/2026\/05\/05\/nx-s1-5802995\/tony-awards-2026-nominations\" target=\"_blank\">Tony<\/a> nomination in the same year \u2014 the former for the film <a href=\"https:\/\/www.npr.org\/2025\/10\/29\/nx-s1-5588912\/if-i-had-legs-id-kick-you-shows-off-rose-byrnes-dramatic-chops\" target=\"_blank\"><em>If I Had Legs I&#8217;d Kick You<\/em><\/a><em>,<\/em> and the latter for <em>Fallen Angels <\/em>on Broadway.<\/p>\n<p><em>If I Had Legs <\/em>was an intense indie film about a mother falling apart as she struggles to keep up with ever-increasing caregiving demands for her ill daughter. Byrne, who previously starred in blockbuster comedies like <a href=\"https:\/\/www.npr.org\/2014\/05\/08\/310467826\/neighbors-just-wants-to-be-the-gross-joke-next-door\" target=\"_blank\"><em>Neighbors<\/em><\/a> and <a href=\"https:\/\/www.npr.org\/2011\/05\/13\/136183144\/bridesmaids-a-raunchy-hilarious-chick-flick\" target=\"_blank\"><em>Bridesmaids<\/em><\/a>, was praised for showing her range. Now, she&#8217;s returning to comedy in the revival of <a href=\"https:\/\/www.npr.org\/1996\/12\/18\/1041288\/noel-coward\" target=\"_blank\">No\u00ebl Coward<\/a>&#8216;s 1925 play about two wealthy women who find out a man they were each previously involved with is coming to town. <\/p>\n<aside id=\"ad-backstage-wrap\" class=\"ad-wrap backstage\" aria-label=\"advertisement\">\n<\/aside>\n<div id=\"resg-s1-123333\" class=\"bucketwrap image medium\">\n<div class=\"imagewrap has-source-dimensions\" data-crop-type=\"\" style=\"&#10;        --source-width: 7361;&#10;        --source-height: 5521;&#10;    \">\n        <picture><source srcset=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/7361x5521+460+0\/resize\/200\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F68%2Fe2%2F14945b294fc094c0440e0d93a301%2Fkelli-ohara-mark-consuelos-and-rose-byrne-in-fallen-angels-on-broadway.jpg 200w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/7361x5521+460+0\/resize\/300\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F68%2Fe2%2F14945b294fc094c0440e0d93a301%2Fkelli-ohara-mark-consuelos-and-rose-byrne-in-fallen-angels-on-broadway.jpg 300w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/7361x5521+460+0\/resize\/400\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F68%2Fe2%2F14945b294fc094c0440e0d93a301%2Fkelli-ohara-mark-consuelos-and-rose-byrne-in-fallen-angels-on-broadway.jpg 400w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/7361x5521+460+0\/resize\/600\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F68%2Fe2%2F14945b294fc094c0440e0d93a301%2Fkelli-ohara-mark-consuelos-and-rose-byrne-in-fallen-angels-on-broadway.jpg 600w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/7361x5521+460+0\/resize\/800\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F68%2Fe2%2F14945b294fc094c0440e0d93a301%2Fkelli-ohara-mark-consuelos-and-rose-byrne-in-fallen-angels-on-broadway.jpg 800w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/7361x5521+460+0\/resize\/1200\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F68%2Fe2%2F14945b294fc094c0440e0d93a301%2Fkelli-ohara-mark-consuelos-and-rose-byrne-in-fallen-angels-on-broadway.jpg 1200w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/7361x5521+460+0\/resize\/1600\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F68%2Fe2%2F14945b294fc094c0440e0d93a301%2Fkelli-ohara-mark-consuelos-and-rose-byrne-in-fallen-angels-on-broadway.jpg 1600w\" data-template=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/7361x5521+460+0\/resize\/{width}\/quality\/{quality}\/format\/{format}\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F68%2Fe2%2F14945b294fc094c0440e0d93a301%2Fkelli-ohara-mark-consuelos-and-rose-byrne-in-fallen-angels-on-broadway.jpg\" sizes=\"(min-width: 1350px) 298px, (min-width: 1025px) calc(((100vw - 365px)\/3) - 30px), (min-width: 768px) calc(((100vw - 30px)\/3) - 30px), calc(100vw - 30px)\" class=\"img\" type=\"image\/webp\"\/><source srcset=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/7361x5521+460+0\/resize\/200\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F68%2Fe2%2F14945b294fc094c0440e0d93a301%2Fkelli-ohara-mark-consuelos-and-rose-byrne-in-fallen-angels-on-broadway.jpg 200w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/7361x5521+460+0\/resize\/300\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F68%2Fe2%2F14945b294fc094c0440e0d93a301%2Fkelli-ohara-mark-consuelos-and-rose-byrne-in-fallen-angels-on-broadway.jpg 300w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/7361x5521+460+0\/resize\/400\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F68%2Fe2%2F14945b294fc094c0440e0d93a301%2Fkelli-ohara-mark-consuelos-and-rose-byrne-in-fallen-angels-on-broadway.jpg 400w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/7361x5521+460+0\/resize\/600\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F68%2Fe2%2F14945b294fc094c0440e0d93a301%2Fkelli-ohara-mark-consuelos-and-rose-byrne-in-fallen-angels-on-broadway.jpg 600w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/7361x5521+460+0\/resize\/800\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F68%2Fe2%2F14945b294fc094c0440e0d93a301%2Fkelli-ohara-mark-consuelos-and-rose-byrne-in-fallen-angels-on-broadway.jpg 800w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/7361x5521+460+0\/resize\/1200\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F68%2Fe2%2F14945b294fc094c0440e0d93a301%2Fkelli-ohara-mark-consuelos-and-rose-byrne-in-fallen-angels-on-broadway.jpg 1200w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/7361x5521+460+0\/resize\/1600\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F68%2Fe2%2F14945b294fc094c0440e0d93a301%2Fkelli-ohara-mark-consuelos-and-rose-byrne-in-fallen-angels-on-broadway.jpg 1600w\" data-template=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/7361x5521+460+0\/resize\/{width}\/quality\/{quality}\/format\/{format}\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F68%2Fe2%2F14945b294fc094c0440e0d93a301%2Fkelli-ohara-mark-consuelos-and-rose-byrne-in-fallen-angels-on-broadway.jpg\" sizes=\"(min-width: 1350px) 298px, (min-width: 1025px) calc(((100vw - 365px)\/3) - 30px), (min-width: 768px) calc(((100vw - 30px)\/3) - 30px), calc(100vw - 30px)\" class=\"img\" type=\"image\/jpeg\"\/><img decoding=\"async\" src=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/7361x5521+460+0\/resize\/1100\/quality\/50\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F68%2Fe2%2F14945b294fc094c0440e0d93a301%2Fkelli-ohara-mark-consuelos-and-rose-byrne-in-fallen-angels-on-broadway.jpg\" data-template=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/7361x5521+460+0\/resize\/{width}\/quality\/{quality}\/format\/{format}\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F68%2Fe2%2F14945b294fc094c0440e0d93a301%2Fkelli-ohara-mark-consuelos-and-rose-byrne-in-fallen-angels-on-broadway.jpg\" class=\"img\" alt=\"Kelli O\u2019Hara, Mark Consuelos and Rose Byrne star in the Broadway revival of Fallen Angels.\" loading=\"lazy\"\/>\n        <\/picture>\n<\/div>\n<div class=\"credit-caption\">\n<div class=\"caption-wrap\">\n<div class=\"caption\" aria-label=\"Image caption\">\n<p>\n                Kelli O&#8217;Hara, Mark Consuelos and Rose Byrne\u00a0star in the Broadway revival of <em>Fallen Angels.<\/em><br \/>\n                <b class=\"credit\" aria-label=\"Image credit\"><\/p>\n<p>                    Joan Marcus\/Polk &amp; Co.<\/p>\n<p>                <\/b><br \/>\n                <b class=\"hide-caption\"><b>hide caption<\/b><\/b>\n            <\/p>\n<\/p><\/div>\n<p>            <b class=\"toggle-caption\"><b>toggle caption<\/b><\/b>\n    <\/div>\n<p>    <span class=\"credit\" aria-label=\"Image credit\"><\/p>\n<p>        Joan Marcus\/Polk &amp; Co.<\/p>\n<p>    <\/span>\n<\/div>\n<\/p><\/div>\n<p>&#8220;I had long wanted to do a true comedic piece onstage, like it&#8217;s one of my dreams,&#8221; Byrne says of <em>Fallen Angels<\/em>. &#8220;We are trying to reach the back row, so physically, &#8230; I felt like I was screaming when I first got up [there], because we&#8217;re not wearing mics either.&#8221;<\/p>\n<p>Byrne&#8217;s <em>Fallen Angels<\/em> character gets progressively drunk \u2014 and increasingly loud \u2014 throughout the play. She credits Coward&#8217;s &#8220;brilliant&#8221; writing and stage directions with guiding her performance.<\/p>\n<p>&#8220;The language he used, the sort of linguistic gymnastics and the extraordinary vocabulary of No\u00ebl Coward is a delight,&#8221; she says. &#8220;I never tire of sitting backstage and I&#8217;m constantly rediscovering the words that he peppers throughout.&#8221;<\/p>\n<h3 class=\"edTag\">Interview highlights <\/h3>\n<p><strong>On her role in <em>If I Had Legs I&#8217;d Kick You<\/em><\/strong><\/p>\n<p><a href=\"https:\/\/www.npr.org\/2025\/10\/05\/nx-s1-5497193\/mary-bronstein-discusses-motherhood-in-her-movie-if-i-had-legs-id-kick-you\" target=\"_blank\">Mary Bronstein<\/a> wrote this incendiary screenplay and I just did not want to mess it up. It was such a creative opportunity. &#8230; We hit it off and had a real experience, one of those experiences in life that, creatively, has kind of changed me.<\/p>\n<p>[The film] defies generalization or description, because it&#8217;s sort of like a fever dream, in a way. It has gallows humor in there. There&#8217;s horror tropes in the film, too. I think Mary Bronstein [who also directed the film] really broke the mold with the tone of the film, in many ways. She \u2026 tapped into the monster within and the fear of being a parent and the horror of being a parent, and some of the joy too, but obviously she&#8217;s in a really extraordinarily difficult situation, this woman. I still can&#8217;t believe the film got as far as it did, just because it was a small independent film.<\/p>\n<div id=\"resg-s1-123341\" class=\"bucketwrap image x-large\">\n<div class=\"imagewrap has-source-dimensions\" data-crop-type=\"\" style=\"&#10;        --source-width: 2016;&#10;        --source-height: 1134;&#10;    \">\n        <picture><source srcset=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2016x1134+82+236\/resize\/400\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F6d%2Faa%2Fb700e4624ff99f327576fa3851bc%2Fifihadlegs.png 400w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2016x1134+82+236\/resize\/600\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F6d%2Faa%2Fb700e4624ff99f327576fa3851bc%2Fifihadlegs.png 600w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2016x1134+82+236\/resize\/800\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F6d%2Faa%2Fb700e4624ff99f327576fa3851bc%2Fifihadlegs.png 800w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2016x1134+82+236\/resize\/900\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F6d%2Faa%2Fb700e4624ff99f327576fa3851bc%2Fifihadlegs.png 900w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2016x1134+82+236\/resize\/1200\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F6d%2Faa%2Fb700e4624ff99f327576fa3851bc%2Fifihadlegs.png 1200w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2016x1134+82+236\/resize\/1600\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F6d%2Faa%2Fb700e4624ff99f327576fa3851bc%2Fifihadlegs.png 1600w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2016x1134+82+236\/resize\/1800\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F6d%2Faa%2Fb700e4624ff99f327576fa3851bc%2Fifihadlegs.png 1800w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2016x1134+82+236\/resize\/2400\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F6d%2Faa%2Fb700e4624ff99f327576fa3851bc%2Fifihadlegs.png 2400w\" data-template=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2016x1134+82+236\/resize\/{width}\/quality\/{quality}\/format\/{format}\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F6d%2Faa%2Fb700e4624ff99f327576fa3851bc%2Fifihadlegs.png\" sizes=\"(min-width: 1350px) 953px, (min-width: 1025px) calc(100vw - 395px), (min-width: 768px) calc(100vw - 60px), calc(100vw - 30px)\" class=\"img\" type=\"image\/webp\"\/><source srcset=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2016x1134+82+236\/resize\/400\/quality\/85\/format\/png\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F6d%2Faa%2Fb700e4624ff99f327576fa3851bc%2Fifihadlegs.png 400w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2016x1134+82+236\/resize\/600\/quality\/85\/format\/png\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F6d%2Faa%2Fb700e4624ff99f327576fa3851bc%2Fifihadlegs.png 600w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2016x1134+82+236\/resize\/800\/quality\/85\/format\/png\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F6d%2Faa%2Fb700e4624ff99f327576fa3851bc%2Fifihadlegs.png 800w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2016x1134+82+236\/resize\/900\/quality\/85\/format\/png\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F6d%2Faa%2Fb700e4624ff99f327576fa3851bc%2Fifihadlegs.png 900w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2016x1134+82+236\/resize\/1200\/quality\/85\/format\/png\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F6d%2Faa%2Fb700e4624ff99f327576fa3851bc%2Fifihadlegs.png 1200w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2016x1134+82+236\/resize\/1600\/quality\/85\/format\/png\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F6d%2Faa%2Fb700e4624ff99f327576fa3851bc%2Fifihadlegs.png 1600w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2016x1134+82+236\/resize\/1800\/quality\/85\/format\/png\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F6d%2Faa%2Fb700e4624ff99f327576fa3851bc%2Fifihadlegs.png 1800w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2016x1134+82+236\/resize\/2400\/quality\/85\/format\/png\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F6d%2Faa%2Fb700e4624ff99f327576fa3851bc%2Fifihadlegs.png 2400w\" data-template=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2016x1134+82+236\/resize\/{width}\/quality\/{quality}\/format\/{format}\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F6d%2Faa%2Fb700e4624ff99f327576fa3851bc%2Fifihadlegs.png\" sizes=\"(min-width: 1350px) 953px, (min-width: 1025px) calc(100vw - 395px), (min-width: 768px) calc(100vw - 60px), calc(100vw - 30px)\" class=\"img\" type=\"image\/png\"\/><img decoding=\"async\" src=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2016x1134+82+236\/resize\/1100\/quality\/50\/format\/png\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F6d%2Faa%2Fb700e4624ff99f327576fa3851bc%2Fifihadlegs.png\" data-template=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2016x1134+82+236\/resize\/{width}\/quality\/{quality}\/format\/{format}\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F6d%2Faa%2Fb700e4624ff99f327576fa3851bc%2Fifihadlegs.png\" class=\"img\" alt=\" If I Had Legs I'd Kick You was a small independent movie, says Byrne, &quot;I still can't believe the film got as far as it did.&quot;\" loading=\"lazy\"\/>\n        <\/picture>\n<\/div>\n<div class=\"credit-caption\">\n<div class=\"caption-wrap\">\n<div class=\"caption\" aria-label=\"Image caption\">\n<p>\n                <em>If I Had Legs I&#8217;d Kick You <\/em>was a small independent movie, says Byrne, &#8220;I still can&#8217;t believe the film got as far as it did.&#8221;<br \/>\n                <b class=\"credit\" aria-label=\"Image credit\"><\/p>\n<p>                    A24<\/p>\n<p>                <\/b><br \/>\n                <b class=\"hide-caption\"><b>hide caption<\/b><\/b>\n            <\/p>\n<\/p><\/div>\n<p>            <b class=\"toggle-caption\"><b>toggle caption<\/b><\/b>\n    <\/div>\n<p>    <span class=\"credit\" aria-label=\"Image credit\"><\/p>\n<p>        A24<\/p>\n<p>    <\/span>\n<\/div>\n<\/p><\/div>\n<p><strong>On the constant beeping of medical equipment in the background of <em>If I Had Legs<\/em><\/strong><\/p>\n<p>These noises get magnified and actually Mary Bronstein made those louder, just a bit, like the clock on the wall, the beeping of the machine, all those things were louder because they are in [the main character&#8217;s] point of view. And it is as a parent, those things become overstimulating. It&#8217;s relentless and, [Bronstein] wanted to capture that claustrophobia.<\/p>\n<aside id=\"ad-secondary-wrap\" class=\"ad-wrap secondary\" aria-label=\"advertisement\">\n<\/aside>\n<p><strong>On why viewers don&#8217;t get to see the daughter or know what her illness is<\/strong><\/p>\n<div id=\"resnx-s1-5829146-100\" class=\"bucketwrap internallink insettwocolumn inset2col \">\n<div class=\"bucket img\">\n                  <a class=\"imagewrap\" id=\"featuredStackSquareImagenx-s1-5588912\" href=\"https:\/\/www.npr.org\/2025\/10\/29\/nx-s1-5588912\/if-i-had-legs-id-kick-you-shows-off-rose-byrnes-dramatic-chops\" data-metrics-ga4=\"{&quot;category&quot;:&quot;recirculation&quot;,&quot;action&quot;:&quot;story_recirculation_click&quot;,&quot;clickType&quot;:&quot;inset box&quot;,&quot;clickUrl&quot;:&quot;https:\/\/www.npr.org\/2025\/10\/29\/nx-s1-5588912\/if-i-had-legs-id-kick-you-shows-off-rose-byrnes-dramatic-chops&quot;}\"><picture><source srcset=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2000x2000+0+0\/resize\/100\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F87%2F58%2F7c4105cf4c5e88e33c242f547fdb%2F7f2faea2-51bc-4cd0-a3df-72b000c8144c.jpg\" data-original=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2000x2000+0+0\/resize\/100\/quality\/100\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F87%2F58%2F7c4105cf4c5e88e33c242f547fdb%2F7f2faea2-51bc-4cd0-a3df-72b000c8144c.jpg\" data-template=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2000x2000+0+0\/resize\/{width}\/quality\/{quality}\/format\/{format}\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F87%2F58%2F7c4105cf4c5e88e33c242f547fdb%2F7f2faea2-51bc-4cd0-a3df-72b000c8144c.jpg\" data-format=\"webp\" class=\"img lazyOnLoad\" type=\"image\/webp\"\/><source srcset=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2000x2000+0+0\/resize\/100\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F87%2F58%2F7c4105cf4c5e88e33c242f547fdb%2F7f2faea2-51bc-4cd0-a3df-72b000c8144c.jpg\" data-original=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2000x2000+0+0\/resize\/100\/quality\/100\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F87%2F58%2F7c4105cf4c5e88e33c242f547fdb%2F7f2faea2-51bc-4cd0-a3df-72b000c8144c.jpg\" data-template=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2000x2000+0+0\/resize\/{width}\/quality\/{quality}\/format\/{format}\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F87%2F58%2F7c4105cf4c5e88e33c242f547fdb%2F7f2faea2-51bc-4cd0-a3df-72b000c8144c.jpg\" data-format=\"jpeg\" class=\"img lazyOnLoad\" type=\"image\/jpeg\"\/><img decoding=\"async\" src=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2000x2000+0+0\/resize\/100\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F87%2F58%2F7c4105cf4c5e88e33c242f547fdb%2F7f2faea2-51bc-4cd0-a3df-72b000c8144c.jpg\" data-original=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2000x2000+0+0\/resize\/100\/quality\/100\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F87%2F58%2F7c4105cf4c5e88e33c242f547fdb%2F7f2faea2-51bc-4cd0-a3df-72b000c8144c.jpg\" data-template=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2000x2000+0+0\/resize\/{width}\/quality\/{quality}\/format\/{format}\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F87%2F58%2F7c4105cf4c5e88e33c242f547fdb%2F7f2faea2-51bc-4cd0-a3df-72b000c8144c.jpg\" data-format=\"jpeg\" class=\"img lazyOnLoad\" alt=\"Rose Byrne in If I Had Legs I\u2019d Kick You.\" loading=\"lazy\"\/><\/picture><\/a>         <\/p>\n<p><!-- END CLASS=\"BUCKETBLOCK\" -->\n      <\/div>\n<p><!-- END CLASS=\"BUCKET IMG\" -->\n   <\/div>\n<p><!-- END ID=\"RESNX-S1-5829146-100\" CLASS=\"BUCKETWRAP INTERNALLINK INSETTWOCOLUMN INSET2COL \" --><\/p>\n<p>The conceit of not seeing the daughter, and Mary has spoken to this many times, but [it&#8217;s] sort of a two-prong thing in that I don&#8217;t think Linda, my character, can see her daughter at this point. She&#8217;s so drowning and beginning this real descent into her mental health crisis. &#8230; Also for the audience to have that choice taken away to not see the daughter, you&#8217;re forced to reckon with the mother. Because as soon as you put a child on screen, your empathy, as it should, goes to the child. They&#8217;re so vulnerable, and immediately your concern will go to them, and so she takes that choice away from the viewer. So you are forced to be in the perspective of the mother.<\/p>\n<p><strong>On parenting after spending the day on set\u00a0<\/strong><\/p>\n<p>Kids are so in-the-moment and grounding and \u2014 in the best way \u2014 they&#8217;re not particularly interested if you&#8217;ve had a hard day. But it&#8217;s so wonderful because you immediately snap into your role as mom, the greatest role, the most challenging, the most fun. And so for me, it&#8217;s church and state &#8230; leave it at work. I mean, obviously there were days when I was more exhausted or tired or [it&#8217;s] harder to let things go. But children are the great equalizer, as a parent.<\/p>\n<p><strong>On the thrill of filming the 2011 film <em>Bridesmaids<\/em><\/strong><\/p>\n<div id=\"resnx-s1-5829146-101\" class=\"bucketwrap internallink insettwocolumn inset2col \">\n<div class=\"bucket img\">\n                  <a class=\"imagewrap\" id=\"featuredStackSquareImage136651410\" href=\"https:\/\/www.npr.org\/2011\/05\/25\/136651410\/putting-the-bride-and-the-laughs-in-bridesmaids\" data-metrics-ga4=\"{&quot;category&quot;:&quot;recirculation&quot;,&quot;action&quot;:&quot;story_recirculation_click&quot;,&quot;clickType&quot;:&quot;inset box&quot;,&quot;clickUrl&quot;:&quot;https:\/\/www.npr.org\/2011\/05\/25\/136651410\/putting-the-bride-and-the-laughs-in-bridesmaids&quot;}\"><picture><source srcset=\"https:\/\/media.npr.org\/assets\/img\/2011\/05\/25\/bridesmaids-cast_sq-d0c037d4817006f0cb24c7c87db667788a5f4025.jpg?s=100&amp;c=85&amp;f=jpeg\" data-original=\"https:\/\/media.npr.org\/assets\/img\/2011\/05\/25\/bridesmaids-cast_sq-d0c037d4817006f0cb24c7c87db667788a5f4025.jpg?s=100&amp;c=100&amp;f=jpeg\" data-template=\"https:\/\/media.npr.org\/assets\/img\/2011\/05\/25\/bridesmaids-cast_sq-d0c037d4817006f0cb24c7c87db667788a5f4025.jpg?s={width}&amp;c={quality}&amp;f={format}\" data-format=\"webp\" class=\"img lazyOnLoad\" type=\"image\/webp\"\/><source srcset=\"https:\/\/media.npr.org\/assets\/img\/2011\/05\/25\/bridesmaids-cast_sq-d0c037d4817006f0cb24c7c87db667788a5f4025.jpg?s=100&amp;c=85&amp;f=jpeg\" data-original=\"https:\/\/media.npr.org\/assets\/img\/2011\/05\/25\/bridesmaids-cast_sq-d0c037d4817006f0cb24c7c87db667788a5f4025.jpg?s=100&amp;c=100&amp;f=jpeg\" data-template=\"https:\/\/media.npr.org\/assets\/img\/2011\/05\/25\/bridesmaids-cast_sq-d0c037d4817006f0cb24c7c87db667788a5f4025.jpg?s={width}&amp;c={quality}&amp;f={format}\" data-format=\"jpeg\" class=\"img lazyOnLoad\" type=\"image\/jpeg\"\/><img decoding=\"async\" src=\"https:\/\/media.npr.org\/assets\/img\/2011\/05\/25\/bridesmaids-cast_sq-d0c037d4817006f0cb24c7c87db667788a5f4025.jpg?s=100&amp;c=85&amp;f=jpeg\" data-original=\"https:\/\/media.npr.org\/assets\/img\/2011\/05\/25\/bridesmaids-cast_sq-d0c037d4817006f0cb24c7c87db667788a5f4025.jpg?s=100&amp;c=100&amp;f=jpeg\" data-template=\"https:\/\/media.npr.org\/assets\/img\/2011\/05\/25\/bridesmaids-cast_sq-d0c037d4817006f0cb24c7c87db667788a5f4025.jpg?s={width}&amp;c={quality}&amp;f={format}\" data-format=\"jpeg\" class=\"img lazyOnLoad\" alt=\"Putting The Bride (And The Laughs) In 'Bridesmaids'\" loading=\"lazy\"\/><\/picture><\/a>         <\/p>\n<p><!-- END CLASS=\"BUCKETBLOCK\" -->\n      <\/div>\n<p><!-- END CLASS=\"BUCKET IMG\" -->\n   <\/div>\n<p><!-- END ID=\"RESNX-S1-5829146-101\" CLASS=\"BUCKETWRAP INTERNALLINK INSETTWOCOLUMN INSET2COL \" --><\/p>\n<p>We had such a fun time. It was a great group of actresses. I couldn&#8217;t believe I was there. \u2026 It&#8217;s already extraordinary to have that many scenes with just women. I&#8217;ve had that once since then when I did <a href=\"https:\/\/www.npr.org\/2020\/04\/15\/830814315\/mrs-america-a-star-studded-cast-puts-the-era-in-the-spotlight\" target=\"_blank\"><em>Mrs. America<\/em> <\/a>, [a] show for FX about the second wave of feminism. &#8230; But this was really, really special. And we had no idea that it would go on to become such a beloved movie and all of that. But the shooting of it was wonderful. It was an education in the brilliance of these comedic actresses and the performances. \u2026 It changed my life in so many ways. It really did. \u2026 The improv stuff, it&#8217;s just like a skillset that is still I marvel \u2026 they make it look effortless.<\/p>\n<aside id=\"ad-third-wrap\" class=\"ad-wrap third\" aria-label=\"advertisement\">\n<\/aside>\n<p><em>Therese Madden and Thea Chaloner<\/em> <em>produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.<\/em><\/p>\n<div id=\"resnx-s1-5829146-102\" class=\"bucketwrap internallink insettwocolumn inset2col \">\n<div class=\"bucket img\">\n                  <a class=\"imagewrap\" id=\"featuredStackSquareImage1178396680\" href=\"https:\/\/www.npr.org\/2023\/05\/28\/1178396680\/platonic-review-seth-rogen-rose-byrne\" data-metrics-ga4=\"{&quot;category&quot;:&quot;recirculation&quot;,&quot;action&quot;:&quot;story_recirculation_click&quot;,&quot;clickType&quot;:&quot;inset box&quot;,&quot;clickUrl&quot;:&quot;https:\/\/www.npr.org\/2023\/05\/28\/1178396680\/platonic-review-seth-rogen-rose-byrne&quot;}\"><picture><source srcset=\"https:\/\/media.npr.org\/assets\/img\/2023\/05\/26\/platonic_photo_010002_sq-e6e32200aa67b54dcac929049949341f6d21186e.jpg?s=100&amp;c=85&amp;f=jpeg\" data-original=\"https:\/\/media.npr.org\/assets\/img\/2023\/05\/26\/platonic_photo_010002_sq-e6e32200aa67b54dcac929049949341f6d21186e.jpg?s=100&amp;c=100&amp;f=jpeg\" data-template=\"https:\/\/media.npr.org\/assets\/img\/2023\/05\/26\/platonic_photo_010002_sq-e6e32200aa67b54dcac929049949341f6d21186e.jpg?s={width}&amp;c={quality}&amp;f={format}\" data-format=\"webp\" class=\"img lazyOnLoad\" type=\"image\/webp\"\/><source srcset=\"https:\/\/media.npr.org\/assets\/img\/2023\/05\/26\/platonic_photo_010002_sq-e6e32200aa67b54dcac929049949341f6d21186e.jpg?s=100&amp;c=85&amp;f=jpeg\" data-original=\"https:\/\/media.npr.org\/assets\/img\/2023\/05\/26\/platonic_photo_010002_sq-e6e32200aa67b54dcac929049949341f6d21186e.jpg?s=100&amp;c=100&amp;f=jpeg\" data-template=\"https:\/\/media.npr.org\/assets\/img\/2023\/05\/26\/platonic_photo_010002_sq-e6e32200aa67b54dcac929049949341f6d21186e.jpg?s={width}&amp;c={quality}&amp;f={format}\" data-format=\"jpeg\" class=\"img lazyOnLoad\" type=\"image\/jpeg\"\/><img decoding=\"async\" src=\"https:\/\/media.npr.org\/assets\/img\/2023\/05\/26\/platonic_photo_010002_sq-e6e32200aa67b54dcac929049949341f6d21186e.jpg?s=100&amp;c=85&amp;f=jpeg\" data-original=\"https:\/\/media.npr.org\/assets\/img\/2023\/05\/26\/platonic_photo_010002_sq-e6e32200aa67b54dcac929049949341f6d21186e.jpg?s=100&amp;c=100&amp;f=jpeg\" data-template=\"https:\/\/media.npr.org\/assets\/img\/2023\/05\/26\/platonic_photo_010002_sq-e6e32200aa67b54dcac929049949341f6d21186e.jpg?s={width}&amp;c={quality}&amp;f={format}\" data-format=\"jpeg\" class=\"img lazyOnLoad\" alt=\"'Platonic' is more full-circle friendship than love triangle, and it's better that way\" loading=\"lazy\"\/><\/picture><\/a>         <\/p>\n<p><!-- END CLASS=\"BUCKETBLOCK\" -->\n      <\/div>\n<p><!-- END CLASS=\"BUCKET IMG\" -->\n   <\/div>\n<p><!-- END ID=\"RESNX-S1-5829146-102\" CLASS=\"BUCKETWRAP INTERNALLINK INSETTWOCOLUMN INSET2COL \" -->\n<\/div>\n<p><a href=\"https:\/\/www.npr.org\/2026\/05\/21\/nx-s1-5829146\/rose-byrne-fallen-angels-broadway-tony-awards\">Source link <\/a><br \/>\nSee more: https:\/\/theglobaltrack.com\/<br \/>\nhttps:\/\/corinthiames.com.br\/<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rose Byrne poses at a 2025 press conference in Berlin for If I Had Legs I&#8217;d Kick You. Andreas Rentz\/Getty Images Europe hide caption toggle caption Andreas Rentz\/Getty Images Europe Rose Byrne is one of the few actors to receive both an Oscar and a Tony nomination in the same year \u2014 the former for [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":135763,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow2JLhCw:productID":"","maa_idioma":"","maa_pais":"","footnotes":""},"categories":[1],"tags":[3428,17082,12698,3823,23571,4076,7103,11320],"class_list":["post-135762","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ubirata","tag-angels","tag-broadway","tag-byrne","tag-dream","tag-fallen","tag-npr","tag-role","tag-rose"],"blocksy_meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.6 (Yoast SEO v27.6) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Rose Byrne says &#039;Fallen Angels&#039; on Broadway is a &#039;dream&#039; role : NPR - Ubirat\u00e3 Online Not\u00edcias - A realidade ao seu alcance!<\/title>\n<meta name=\"description\" content=\"Rose Byrne poses at a 2025 press conference in Berlin for If I Had Legs I&#039;d Kick You. 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