The Hollywood Reporter<\/em>. \u201cIt was, weirdly, really important to me.\u201d<\/p>\n\n\tBamber, a former child actor, has slowly climbed the ranks of the British film and television industry to join a select group of young talent now making a name for themselves on a global stage, such as Masters of the Universe <\/em>star Nicholas Galitzine, an old pal of Bamber\u2019s, or The Little Mermaid<\/em>\u2018s Jonah Hauer-King. She nabbed parts in 2016\u2019s Pride and Prejudice and Zombies<\/em> and Nocturnal Animals<\/em>, as well as the small screen\u2019s The Trial of Christine Keeler<\/em>. Then came one of 2023\u2019s buzziest streamer adaptations: Red, White & Royal Blue, <\/em>in which Bamber played fan-favorite Princess Bea.<\/p>\n\n\tNow, she faces what is almost certainly the most daunting role of her career so far: the supermodel of all supermodels and one of the most photographed women in the world, Kate Moss. In Moss & Freud<\/em>, from director James Lucas and out in U.K. cinemas Friday, audiences are privy to Moss\u2019 much-talked-about friendship with the late artist Lucian Freud (played by Derek Jacobi), whose nude portrait of the A-lister sold for around \u00a33.5 million ($5.3m) in 2005.<\/p>\n\n\t\u201cI was mostly terrified, honestly,\u201d laughs Bamber about approaching the film, which Moss is an executive producer on. \u201cBut I would say that she has this confidence, so it was easy to step into her and feel suddenly quite empowered\u2026 She was thrown into the industry at such a young age, and had such a savvy way of moving through it [with] grace and poise,\u201d she continues, \u201cbut she also had this deep vulnerability underneath.\u201d<\/p>\n
\n\tBelow, Bamber gets candid about Moss-ifying herself. She discusses bumping into the model at a house party shortly after landing the role, what viewers might be surprised to find out about Moss (and her relationship with Sigmund Freud\u2019s grandson), and a slew of upcoming projects, including Red, White & Royal Wedding<\/em>, the Ryan Reynolds-starring Animal Friends<\/em>, and Ti West\u2019s Ebenezer: A Christmas Carol<\/em>: \u201cI\u2019ve been really loving shifting from different genres.\u201d<\/p>\n\n\tI read that Kate actually helped you get this role. Is that accurate?<\/strong><\/p>\n\n\tI hear that as well. (Laughs<\/em>.) I don\u2019t know. I assume that she was a part of the process, because she\u2019s a producer on the film. It was something that was sent to me by my agents. I think I was in my kitchen in my dressing gown, and I remember getting an email and them calling me, being like, \u201cHey, want to play Kate Moss?\u201d And I was like, \u201cOh, wow.\u201d And yeah, that was it. It was one of the most exciting emails that I\u2019ve had.<\/p>\n\n\tTalk to me about your relationship with Kate before this happened. Were you a big Kate Moss fan? Had you grown up following her?<\/strong><\/p>\n\n\tLike all teenagers, I think I probably had a picture of her on my bedroom wall at some point in my life. And obviously, just style-wise, she had quite an aspirational style and such a cool sense of fashion. As a young girl, I definitely was always like, \u201cWow, she\u2019s so cool. I want to be like her.\u201d So I had some knowledge, of course, and then I kind of dove into the world of her and Lucian Freud a lot more once I figured out that they had had this relationship and they had worked together in that way.<\/p>\n
\n\tDid you know about their relationship, or much about the Freud family?<\/strong><\/p>\n\n\tNo. I mean, I really had always appreciated and loved Freud\u2019s work, and, like, I kind of knew the Freud family a little. [I\u2019d] seen some of Lucian\u2019s work and stuff, and loved it, but I didn\u2019t know that she\u2019d ever been painted by him. There\u2019s not too much online about it. And the picture, you can find [it] on the internet, but it was not something that I really knew about. So when I dove into it, I was so fascinated by by it and how it had come about as well.<\/p>\n
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\n\t\t\t\t\tEllie Bamber and Kate Moss at Jasper Conran\u2019s party.<\/span><\/p>\n\t\t\t\t\t\t\t\t\tJasper Conran<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n\n\tDo you remember your first meeting with Kate?<\/strong><\/p>\n\n\tWe actually first met by chance. My friend [British designer] Jasper Conran was having a party, and I think I\u2019d said to him on the down low like, \u201cDon\u2019t tell anyone, but I\u2019m playing Kate.\u201d He basically turned around to me and was like, \u201cOh, you\u2019re never going to guess who\u2019s going to walk through the door in a few minutes\u2019 time.\u201d And I was like, \u201cWait, what?\u201d And we met. It was one of those moments where we were both like, \u201cWoah. This is crazy.\u201d And then there\u2019s a picture of us online on a bed. We did this photo. That evening was just really serendipitous. Because I think instead of being like, \u201cOkay, we\u2019re going to go for a meeting to talk about film,\u201d it just happened by chance and it was a really beautiful meeting, because I think it was so organic, and we were able to speak about things with Jasper. Some of my other friends were there. And so it meant that there was a real conversation. Then I met with her afterwards, just to ask her a few more questions and hang out with her and maybe watch her within her world and figure that out. I don\u2019t know how involved with the script she was. I wasn\u2019t really a part of those conversations. But I know that she was always there at conception with James when [he was] writing and stuff.<\/p>\n
\n\tPlaying a real-life person is always tricky \u2014\u00a0do you do an imitation? Do you weave in your own mannerisms? How did you approach this, and what research went into nailing that early Kate Moss?<\/strong><\/p>\n\n\tI\u2019ve been lucky enough to play real-life characters before, and I\u2019ve always seen it as figuring out the essence of a person and translating that into a performance. And I realized with Kate being as iconic as she is, that this was going to be a totally different challenge in itself. It was so incredible because I worked with a movement coach called Polly Bennett for the first time, and that was a totally eye-opening experience. We [pored over] every single video we could find on YouTube and picked it apart and figured out where a movement came from, where it had stemmed from within her life, and what could have made her have a certain gesticulation, or something like that. So working with Polly was amazing. And we did a lot of work on the runway walk, which was just kind of a trip, I would say. (Laughs<\/em>.) And then I also worked with a vocal coach, Louise Jones, who I\u2019ve worked with for a really long time. With that, it was figuring out the exact year, because I think voices change so much during our lifetime. So her voice now is so different to how it was when she was 27. It was important for us to narrow down the videos and say, \u201cOkay, these are the clips that we\u2019re going to focus on. That\u2019s the voice we\u2019re going for.\u201d<\/p>\n\n\tThe other thing with the voice was [that] her laugh is so specific. And the laugh was the first thing that I felt would unlock the rest of everything, which was weird. The laugh was, weirdly, really important to me. Physically, I wanted to do a bit of transformation. So I worked with a [personal trainer] called Luke Wellington, which was important just [because of] the fact that I was going to be nude for the film as well. It just entailed a lot of me looking at videos, reading things about her, looking at images as well \u2014\u00a0because she\u2019s one of the most photographed women in the world \u2014\u00a0and maybe seeing what I could glean from that. Then also, I had the chance to work with James Brown, who\u2019s been her really, really close friend since they grew up together in Croydon. With him it was amazing because he was able to spot things and be like, \u201cOh, she does this when she dances,\u201d [or], \u201cWhen she first puts a dress on, she shimmies her shoulders a bit.\u201d All the things that, as a friend to someone, I think we pick up on throughout the years.<\/p>\n
\n\tThis is not just any model. This is supermodel Kate Moss. Was that daunting? Or did you see it like any other job?<\/strong><\/p>\n\n\tI was mostly terrified, honestly. (Laughs<\/em>.) But I think that\u2019s also the exciting thing. The terror is a good thing and it pushes you and it challenges you to step outside of something that is comfy. So yeah, I was mostly terrified, but I would say that she has this confidence, so it was easy to step into her and feel suddenly quite empowered. Because she was thrown into the industry at such a young age, and had such a savvy way of moving through it [with] grace and poise. But she also had this deep vulnerability underneath. So I think, in playing her, I was able to just leave those terrors at the door.<\/p>\n\n
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\t\t\t\t\t\t\n\t\t\t\t\tDerek Jacobi as Lucian Freud, Ellie Bamber as Kate Moss<\/span><\/p>\n\t\t\t\t\t\t\t\t\t\u2018Moss & Freud\u2019<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n\n\tWhat did you find you had in common with Kate?<\/strong><\/p>\n\n\tI think we both started working when we were 15, 16. That was a big thing \u2014\u00a0understanding that we\u2019d both been thrown into a creative industry at quite a young age, and we\u2019d had to grow up during that time in a strange way. That was something that I immediately was able to relate to, being in the public eye from that age\u2026 I don\u2019t mean to compare [\u2026] but it\u2019s true. To be working from your teenage years, that takes a toll, and I think it sets you up for life in a different way compared to people that don\u2019t work that young.<\/p>\n
\n\tDid you learn anything about her that people would be surprised to find out about Kate Moss?<\/strong><\/p>\n\n\tI always say that she\u2019s a really amazing storyteller. As a storyteller myself, seeing her tell a story in a room is one of the most enigmatic, incredible things I\u2019ve ever seen. She knows exactly how to tell a story beginning to end with moments of fun, and then also moments of\u2026 She\u2019s just an incredible orator. And I remember she came on set one day, and I think people were so drawn to her, and we were all in my dressing room, just crowded around, listening to her tell these stories of things that happened during her life. It was quite extraordinary.<\/p>\n
\n\tDid you get the sense that this was an important story for her to tell as well? Her and Lucian\u2019s relationship has maybe never been depicted on screen. There were rumors at the time that it was romantic. It\u2019s nice to see how wholesome it was.<\/strong><\/p>\n\n\tI think that the painting meant a lot. I imagine that it was really something she had quite fond memories of, and it\u2019s empowering to see [a] woman in quite a transitional point in her life, figuring out where her life is going to go.<\/p>\n
\n\tI want to ask about your chemistry with Derek, which was incredible. What conversations did you two have about the dynamic, or was it all there in the script?<\/strong><\/p>\n\n\tWe had lots of conversations. We went to lunch, and I think it was immediate that we struck up a friendship. Similarly, I was so enraptured by his life and what he\u2019d experienced as a person and as an actor. At one point during our lunch, he mentioned something about Laurence. And I was like, \u201cAre you talking about Laurence Olivier?\u201d And he was like, \u201cYeah.\u201d And I was like, \u201cWoah.\u201d It was such an eye-opening experience. I wanted to learn everything I could from him and what he\u2019d done in his life. And so then when we moved on to set, we had more of a cheeky relationship with each other, which I think then, hopefully, translated to the movie.<\/p>\n
\n\tThere\u2019s a lot happening in this film \u2014 empowerment in motherhood, in age-gap friendships and what that offers you, and then also, at the same time, enjoying the making of art rather than the final product. What was the overarching sentiment for you?<\/strong><\/p>\n\n\tI think all of those things, honestly. I feel very, very strongly in the making of the art being so, so important. Like, every job that I feel lucky enough to do, the experience has been the important thing to me. And of course, the end result is important in so many ways. But I think that I\u2019ve always held on to [the process] more than anything else. [With] the age-gap friendships, it\u2019s what we can learn from people who are at a different stage in their lives. I\u2019ve got friends who are older than me, and I\u2019ve always felt I\u2019ve learned so much from having those friends and learnt so much about life and life experience. Kate learned so much about discipline and what it is to be an artist in [the art] world. One of the things that James and I spoke about was it being a coming-of-age story in a lot of ways. The difference in Freud\u2019s journey, he\u2019s reaching the end of his life, whereas Kate\u2019s just about to begin a new chapter\u2026 That\u2019s where I felt really empowered, and felt like I could be the leader of my own journey and make those decisions.<\/p>\n
\n\tYou\u2019ve got so much coming up and, as we\u2019ve discussed, you\u2019ve been working for a long time. What roles get you excited these days?<\/strong><\/p>\n\n\tThere\u2019s so much out there, and I feel like there are so many new stories that are so exciting, and so many directors that I would just adore to work with. I\u2019ve been really loving shifting from different genres as well. Like, obviously Red, White & Royal Wedding<\/em>, Ebenezer<\/em>, The Face of Horror<\/em>, [they] are very different tonally. I\u2019ve been loving discovering that and being able to do a bit more comedy as well, here and there, and going into the drama space too.<\/p>\n\n
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\t\t\t\t\t\t\n\t\t\t\t\tEllie Bamber and Nicholas Galitzine in \u2018Red, White & Royal Blue\u2019<\/span><\/p>\n\t\t\t\t\t\t\t\t\tCourtesy Prime Video<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n\n\tWhat can you tell us about those projects?<\/strong><\/p>\n\n\tI\u2019m really excited about all of them. I absolutely adored working with Ti West on Ebenezer<\/em>. I think that he is just the most amazing [filmmaker]. He\u2019s a real visionary. I just think he\u2019s insane, and I loved that experience so much. And then working with Anna Biller, who has such a distinct, unique voice that I think is really exciting and fresh. [The Face of Horror<\/em>] was just a trip, a really wild ride, and I\u2019m so excited to see what that creates. I got to work with my friend Jonah [Hauer-King] again on that, so that was really nice. I don\u2019t know how much more I could say about it, [but] I want to say so much more about that film. And then, Red, White & Royal Wedding<\/em>\u2026 Obviously, it was so fun to come back and do the sequel to that. I love Bea as a character. Like, I think being able to explore her more is so exciting because she\u2019s so fun and also she\u2019s super strong. Being on that set again, I got to be with [Nicholas Galitzine], who is one of my oldest friends from the industry. I think we met when we were both just starting out. I was 17 or something. Then Animal Friends <\/em>is coming out fairly soon. That was just fantastic. I loved working with Peter Atencio, the director, on that. Dipping my toe into the comedy space was really fun.<\/p>\n\n\tMoss & Freud is out in U.K. cinemas and is available in the U.S. on VOD now<\/em>.<\/p>\n<\/div>\nSource link <\/a>For Ellie Bamber, successfully capturing Kate Moss\u2018 effortless charm wasn\u2019t just about nailing her voice, style, or any of the fashion icon\u2019s mannerisms. What unlocked Moss \u2014\u00a0depicted for the first time onscreen by the rising star in Moss & Freud \u2014\u00a0was mastering her laugh. \u201cHer laugh is so specific,\u201d begins the actress to The Hollywood […]<\/p>\n","protected":false},"author":1,"featured_media":141497,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow2JLhCw:productID":"","maa_idioma":"","maa_pais":"","footnotes":""},"categories":[1],"tags":[39307,39306,39308,3131,7266,39304,26483,5306,13961,39305],"class_list":["post-141496","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ubirata","tag-bamber","tag-ellie","tag-freud","tag-international","tag-kate","tag-kate-moss","tag-moss","tag-playing","tag-terrified","tag-united-kingdom"],"blocksy_meta":[],"yoast_head":"\n
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