{"id":149917,"date":"2026-07-02T00:25:28","date_gmt":"2026-07-02T03:25:28","guid":{"rendered":"https:\/\/ubirataonline.com.br\/apocalypse-now-x-men-97-has-a-new-old-big-bad\/"},"modified":"2026-07-02T00:25:31","modified_gmt":"2026-07-02T03:25:31","slug":"apocalypse-now-x-men-97-has-a-new-old-big-bad","status":"publish","type":"post","link":"https:\/\/ubirataonline.com.br\/en\/apocalypse-now-x-men-97-has-a-new-old-big-bad\/","title":{"rendered":"Apocalypse Now: \u2018X-Men \u201997\u2019 Has a New (Old) Big Bad"},"content":{"rendered":"<p><\/p>\n<div id=\"\">\n<figure class=\"article-hero lg:ui-pb-xxlarge ui-z-40 ui-relative lg:mb-6 ui-px-2 ui-pt-2 md:ui-p-small\" data-sentry-component=\"ArticleHero\" data-sentry-source-file=\"article-hero.tsx\">\n<div class=\"ui-relative ui-h-[133.33vw] ui-flex  md:ui-h-[min(42.86vw,52.688rem)] ui-min-h-[28.125rem] \" data-sentry-component=\"Hero\" data-sentry-source-file=\"article-hero.tsx\">\n<div class=\"ui-p-large ui-h-full ui-w-full ui-flex ui-justify-end ui-flex-col ui-mt-auto\">\n<div class=\"md:ui-space-y-small ui-space-y-2 lg:ui-max-w-[60%] ui-relative ui-flex ui-flex-col ui-text-white ui-z-10 ui-items-center ui-mx-auto ui-text-center\"><a class=\"ui-rounded-5xl ui-w-fit ui-items-center motion-safe:ui-transition-colors ui-font-gt-america ui-py-2.5 ui-px-4 ui-text-body-md-medium ui-text-white ui-bg-white\/10 ui-border-white ui-backdrop-blur-[3px] hover:ui-bg-white hover:ui-text-black ui-hidden lg:ui-flex\" data-sentry-element=\"Comp\" data-sentry-component=\"Tag\" data-sentry-source-file=\"tag.tsx\" href=\"https:\/\/www.theringer.com\/topic\/marvel\">Marvel<\/a><a class=\"ui-rounded-5xl ui-w-fit ui-items-center motion-safe:ui-transition-colors ui-font-gt-america ui-py-2 ui-px-3 ui-text-body-sm-medium ui-text-white ui-bg-white\/10 ui-border-white ui-backdrop-blur-[3px] hover:ui-bg-white hover:ui-text-black ui-flex lg:ui-hidden\" data-sentry-element=\"Comp\" data-sentry-component=\"Tag\" data-sentry-source-file=\"tag.tsx\" href=\"https:\/\/www.theringer.com\/topic\/marvel\">Marvel<\/a><span class=\"ui-text-preamble-regular ui-text-balance ui-font-bradford\">The revival series\u2019 second season explores the past, present, and future of a familiar mutant archnemesis<\/span><\/div>\n<\/div>\n<\/div><figcaption class=\"motion-safe:ui-transition-colors ui-text-black ui-text-opacity-30 text-opacity-30 !ui-font-gt-america !ui-text-tag ui-ml-0 ui-mt-3 md:ui-mt-4 motion-safe:transition-colors\"><span class=\"ui-mr-2\">Disney\/Ringer illustration<\/span><\/figcaption><\/figure>\n<div class=\"article-info-block flex flex-col items-center gap-4 lg:flex-row py-xlarge lg:hidden lg:py-0\" data-sentry-component=\"SingleCreator\" data-sentry-source-file=\"article-info-block.tsx\">\n<div class=\"relative mb-auto size-14 flex-shrink-0\"><a data-sentry-element=\"Link\" data-sentry-source-file=\"article-info-block.tsx\" href=\"https:\/\/www.theringer.com\/creator\/daniel-chin\"><img alt=\"\" data-sentry-element=\"Image\" data-sentry-source-file=\"article-info-block.tsx\" loading=\"lazy\" width=\"56\" height=\"56\" decoding=\"async\" data-nimg=\"1\" class=\"ui-object-cover h-full w-full rounded-full border grayscale ui-border ui-border-black\" style=\"color:transparent;object-position:50% 50%\" srcset=\"\/_next\/image?url=https%3A%2F%2Fwp.theringer.com%2Fwp-content%2Fuploads%2F2024%2F11%2FChin_Daniel.jpg&amp;w=64&amp;q=75&amp;dpl=5308a06f72e521c427612781702111af372fc3d1 1x, \/_next\/image?url=https%3A%2F%2Fwp.theringer.com%2Fwp-content%2Fuploads%2F2024%2F11%2FChin_Daniel.jpg&amp;w=128&amp;q=75&amp;dpl=5308a06f72e521c427612781702111af372fc3d1 2x\" src=\"https:\/\/www.theringer.com\/_next\/image?url=https%3A%2F%2Fwp.theringer.com%2Fwp-content%2Fuploads%2F2024%2F11%2FChin_Daniel.jpg&amp;w=128&amp;q=75&amp;dpl=5308a06f72e521c427612781702111af372fc3d1\"\/><\/a><\/div>\n<div class=\"space-y-2 text-center lg:space-y-1.5 lg:text-start\"><span data-sentry-element=\"Text\" data-sentry-source-file=\"article-info-block.tsx\" class=\"motion-safe:ui-transition-colors ui-text-black text-body-md-regular lg:text-body-lg-regular inline-block w-full text-balance motion-safe:transition-colors\">By<!-- --> <a class=\"text-body-md-medium lg:text-body-lg-medium hover:opacity-70\" data-sentry-element=\"Link\" data-sentry-source-file=\"article-info-block.tsx\" href=\"https:\/\/www.theringer.com\/creator\/daniel-chin\">Daniel Chin<\/a><\/span><span data-sentry-element=\"Text\" data-sentry-source-file=\"article-info-block.tsx\" class=\"motion-safe:ui-transition-colors ui-text-black !text-body-md-regular lg:!text-body-lg-regular !list-none whitespace-nowrap md:whitespace-normal motion-safe:transition-colors\"><time datetime=\"2026-07-01T10:38:44-05:00\">July 1, 3:38 pm UTC<\/time><span class=\"whitespace-nowrap\"> <!-- -->\u2022 <!-- -->5 min<\/span><\/span><\/div>\n<\/div>\n<p data-sentry-element=\"Text\" data-sentry-component=\"Component\" data-sentry-source-file=\"paragraph.tsx\" class=\"motion-safe:ui-transition-colors ui-text-black motion-safe:transition-colors\">Even though the first season of<em> X-Men \u201997<\/em> arrived with plenty of fanfare when it was released in 2024, it exceeded all expectations. The revival marked the continuation of <em>X-Men: The Animated Series<\/em> more than 25 years after the bittersweet conclusion of its original 76-episode run. The 1990s Saturday-morning cartoon was a massive hit that forged a path for the mutants\u2019 mainstream popularity to flourish and eventually translate to the big screen. And decades later, <em>X-Men \u201997<\/em> honored its legacy by further elevating its material.<\/p>\n<p data-sentry-element=\"Text\" data-sentry-component=\"Component\" data-sentry-source-file=\"paragraph.tsx\" class=\"motion-safe:ui-transition-colors ui-text-black motion-safe:transition-colors\">With its excellent storytelling and dynamic animation, <em>X-Men \u201997<\/em> set a new standard for Marvel Animation. The series built on what worked in <em>X-Men: TAS <\/em>and injected it with fresh ideas and a refined focus on tight, emotional story lines that bled into one another. Episode 5, \u201cRemember It,\u201d earned an Emmy nomination for Outstanding Animated Program and remains one of the best episodes of television Marvel Studios has ever produced. And after a two-year wait, <em>X-Men \u201997 <\/em>returns with a second season that builds on the show\u2019s early success with a bigger and bolder story.<\/p>\n<p data-sentry-element=\"Text\" data-sentry-component=\"Component\" data-sentry-source-file=\"paragraph.tsx\" class=\"motion-safe:ui-transition-colors ui-text-black motion-safe:transition-colors\">Season 2, which premiered with a three-episode release on Wednesday, picks up after the dramatic Season 1 finale, in which the X-Men prevented a hurtling Asteroid M from crashing into Earth and annihilating all life on the planet, but then the mutants were divided across time and space. One group is flung into the distant, doomed future, while the other is sent to the ancient past. And although they\u2019re separated by many millennia, both X-Men teams face the same menacing villain who serves as the season\u2019s central antagonist: Apocalypse.<\/p>\n<p data-sentry-element=\"Text\" data-sentry-component=\"Component\" data-sentry-source-file=\"paragraph.tsx\" class=\"motion-safe:ui-transition-colors ui-text-black motion-safe:transition-colors\"><em>X-Men: TAS <\/em>heavily featured Apocalypse, the first mutant, in its fourth season, which aired from 1995 to 1996. The four-part \u201cBeyond Good and Evil\u201d arc was intended to be the show\u2019s final run of episodes until Fox Kids ordered a fifth season on short notice and a lower budget. The show was produced before Marvel Comics had established the villain\u2019s refined origin story in <em>The Rise of Apocalypse<\/em>, which ran from late 1996 through early 1997, so there was less source material available for showrunner Eric Lewald and his writers to use for the character\u2019s background. But Season 4 of <em>X-Men: TAS<\/em> ended up inspiring one of the most popular <em>X-Men<\/em> comic book events of all time: <em>Age of Apocalypse<\/em>.<\/p>\n<div class=\"ui-flex ui-flex-col ui-overflow-hidden ui-font-gt-america ui-border ui-relative ui-shadow-elevated-large wp-related-content ui-bg-white ui-border-black ui-p-large ui-pt-34 ui-rounded-4xl wp-block-related-content wp-article-block hidden md:flex\" data-sentry-component=\"RelatedContent\" data-sentry-source-file=\"related-content.tsx\">\n<p data-sentry-element=\"Text\" data-sentry-source-file=\"related-content.tsx\" class=\"motion-safe:ui-transition-colors ui-text-black ui-text-body-xl-bold ui-mb-4 motion-safe:transition-colors\">More on \u2018X-Men \u201997\u2019<!-- --> <\/p>\n<\/div>\n<div class=\"ui-flex ui-flex-col ui-overflow-hidden ui-font-gt-america ui-border ui-relative ui-shadow-elevated-large wp-related-content ui-bg-white ui-border-black ui-pt-6 ui-pb-4 ui-px-4 ui-rounded-3xl wp-block-related-content wp-article-block flex md:hidden\" data-sentry-component=\"RelatedContent\" data-sentry-source-file=\"related-content.tsx\">\n<p data-sentry-element=\"Text\" data-sentry-source-file=\"related-content.tsx\" class=\"motion-safe:ui-transition-colors ui-text-black ui-text-body-xl-bold ui-mb-4 motion-safe:transition-colors\">More on \u2018X-Men \u201997\u2019<!-- --> <\/p>\n<\/div>\n<p data-sentry-element=\"Text\" data-sentry-component=\"Component\" data-sentry-source-file=\"paragraph.tsx\" class=\"motion-safe:ui-transition-colors ui-text-black motion-safe:transition-colors\">\u201cWhen [Lewald] created the story \u2018One Man&#8217;s Worth,\u2019 Marvel liked it so much that they went ahead and it inspired the <em>Age of Apocalypse<\/em>,\u201d <em>X-Men: TAS <\/em>director and <em>X-Men \u201997 <\/em>executive producer Larry Houston <a href=\"https:\/\/www.marvel.com\/articles\/tv-shows\/the-making-of-x-men-the-animated-series\">told Marvel<\/a> in 2020. \u201cI was able to take the <em>Age of Apocalypse<\/em> designs and incorporate it into Eric\u2019s stories. So you got a chance to see those characters that they designed [for the comics].<\/p>\n<p data-sentry-element=\"Text\" data-sentry-component=\"Component\" data-sentry-source-file=\"paragraph.tsx\" class=\"motion-safe:ui-transition-colors ui-text-black motion-safe:transition-colors\">In a full-circle moment, <em>X-Men \u201997 <\/em>is now adapting elements from <em>Age of Apocalypse<\/em>, along with other comic book story lines released since then (including the reveal of Apocalypse\u2019s origins). There\u2019s a symbiotic relationship between the comics and their animated (or live-action) adaptations, and <em>X-Men \u201997<\/em> is a prime example of how well that dynamic can work.<\/p>\n<p data-sentry-element=\"Text\" data-sentry-component=\"Component\" data-sentry-source-file=\"paragraph.tsx\" class=\"motion-safe:ui-transition-colors ui-text-black motion-safe:transition-colors\">While 2016\u2019s <em>X-Men: Apocalypse<\/em> struggled to bring the all-powerful Apocalypse\u2014portrayed by Oscar Isaac\u2014to life on the big screen, <em>X-Men \u201997<\/em> is taking a clever approach to reintroducing the villain in a medium that\u2019s better suited for him. The X-Men sent back to the past\u2014including Professor Xavier and Magneto\u2014arrive in ancient Egypt in 3000 BC, just in time to witness the mutant known as En Sabah Nur evolve into Apocalypse. Meanwhile, the other group (featuring Cyclops and Jean Grey) is marooned in the Atlantic Basin in the 40th century, when the world has been transformed into a wasteland by Apocalypse and his followers.\u00a0<\/p>\n<p data-sentry-element=\"Text\" data-sentry-component=\"Component\" data-sentry-source-file=\"paragraph.tsx\" class=\"motion-safe:ui-transition-colors ui-text-black motion-safe:transition-colors\">Episode 1, \u201cDays of Past Future,\u201d focuses on the 40th-century timeline, in which Cyclops and Jean are reunited with their son, Nathan. Along with Wolverine, Storm, and Morph, these X-Men have been summoned to an era when young Nathan is being groomed to become Cable, the time-traveling hero who\u2019ll stand up against the evil Apocalypse. Episode 3 is the first half of a two-part <em>Rise of Apocalypse<\/em> adaptation; Xavier, Magneto, Rogue, Nightcrawler, and Beast meet Nur before he\u2019s made it his life\u2019s work to reshape the world in his image. In a classic time-travel gambit, they\u2019re faced with an opportunity to end the threat of Apocalypse before it even begins\u2014and it should come as no surprise that Xavier and Magneto have opposing opinions on how to handle it. Although the X-Men don\u2019t know why or how at the beginning of the season, both of these groups have been sent to pivotal moments in Apocalypse\u2019s life, and they must be cautious in how they navigate every decision put before them.<\/p>\n<p data-sentry-element=\"Text\" data-sentry-component=\"Component\" data-sentry-source-file=\"paragraph.tsx\" class=\"motion-safe:ui-transition-colors ui-text-black motion-safe:transition-colors\">But the season also focuses on a third era: the \u201990s. Episode 2, \u201cA Force to Be Reckoned With,\u201d follows the team members who\u2019ve been left behind in the present day, as the conflict between humans and mutants continues to intensify. After Forge and Bishop split up to save their lost friends across the timestream, Jubilee and Sunspot are aimless. And so the fully formed Cable recruits the teenagers to join his ruthless, covert paramilitary crew: the X-Force. Between the X-Force and X-Factor, a mutant faction that has aligned itself with the American government, this portion of the show focuses on how a divided world is moving forward without the X-Men\u2014and how the remaining mutants are choosing to honor the team\u2019s legacy. Both of these other X-groups have long comic book histories of their own, and even with characters like Psylocke and Archangel joining the fold, <em>X-Men \u201997 <\/em>is still only starting to dip into the extensive roster of mutants.<\/p>\n<p data-sentry-element=\"Text\" data-sentry-component=\"Component\" data-sentry-source-file=\"paragraph.tsx\" class=\"motion-safe:ui-transition-colors ui-text-black motion-safe:transition-colors\">Each of the three opening installments narrows its attention to one timeline, which allows <em>X-Men \u201997 <\/em>to concentrate on individual characters and their relationships to one another across the episodes\u2019 30-ish-minute running times. With more space to reorient the audience into specific and distinct eras, the show wisely lets its abundance of rich material shine at a steady and even pace. The three periods represent dark times for humanity and mutantkind and come with their own individual conflicts, and as <em>X-Men \u201997<\/em> sets the stakes for each era, the series forms a collective image of Apocalypse. What with time travel, Apocalypse, and the clash of contrasting ideologies, the series has entered peak <em>X-Men<\/em> territory\u2014and it\u2019s executing its vision flawlessly.<\/p>\n<p data-sentry-element=\"Text\" data-sentry-component=\"Component\" data-sentry-source-file=\"paragraph.tsx\" class=\"motion-safe:ui-transition-colors ui-text-black motion-safe:transition-colors\">With a generous three-episode premiere to kick off its nine-episode season, <em>X-Men \u201997<\/em> has returned with a bang. It continues to pair masterful storytelling with slick action sequences while conscientiously expanding its scope, taking advantage of decades of source material without getting too greedy and dispersing it all at once. The series hasn\u2019t lost a step, and if this season is anything like its previous run, <em>X-Men \u201997<\/em>\u2019s Apocalyptic tale will only get better from here.<\/p>\n<div class=\"py-xlarge creator-block font-g space-y-4 lg:space-y-6\" data-sentry-component=\"SingleCreator\" data-sentry-source-file=\"article-creator-block.tsx\">\n<div class=\"ui-flex ui-flex-col lg:ui-gap-6 gap-4\" data-sentry-component=\"Column\" data-sentry-source-file=\"creator.tsx\">\n<div class=\"ui-flex ui-items-center ui-justify-center ui-gap-8\">\n<div class=\"ui-relative ui-size-16 lg:ui-size-24\"><a data-sentry-element=\"Link\" data-sentry-source-file=\"creator.tsx\" href=\"https:\/\/www.theringer.com\/creator\/daniel-chin\"><img alt=\"\" data-sentry-element=\"Image\" data-sentry-source-file=\"creator.tsx\" loading=\"lazy\" decoding=\"async\" data-nimg=\"fill\" class=\"ui-object-cover ui-shadow-expressive-dark-medium ui-rounded-full ui-outline ui-outline-1 ui-outline-black ui-grayscale hover:ui-brightness-80 motion-safe:ui-transition-all\" style=\"position:absolute;height:100%;width:100%;left:0;top:0;right:0;bottom:0;object-position:50% 50%;color:transparent\" sizes=\"(max-width: 1024px) 64px, 96px\" srcset=\"\/_next\/image?url=https%3A%2F%2Fwp.theringer.com%2Fwp-content%2Fuploads%2F2024%2F11%2FChin_Daniel.jpg&amp;w=16&amp;q=75&amp;dpl=5308a06f72e521c427612781702111af372fc3d1 16w, \/_next\/image?url=https%3A%2F%2Fwp.theringer.com%2Fwp-content%2Fuploads%2F2024%2F11%2FChin_Daniel.jpg&amp;w=32&amp;q=75&amp;dpl=5308a06f72e521c427612781702111af372fc3d1 32w, \/_next\/image?url=https%3A%2F%2Fwp.theringer.com%2Fwp-content%2Fuploads%2F2024%2F11%2FChin_Daniel.jpg&amp;w=48&amp;q=75&amp;dpl=5308a06f72e521c427612781702111af372fc3d1 48w, \/_next\/image?url=https%3A%2F%2Fwp.theringer.com%2Fwp-content%2Fuploads%2F2024%2F11%2FChin_Daniel.jpg&amp;w=64&amp;q=75&amp;dpl=5308a06f72e521c427612781702111af372fc3d1 64w, \/_next\/image?url=https%3A%2F%2Fwp.theringer.com%2Fwp-content%2Fuploads%2F2024%2F11%2FChin_Daniel.jpg&amp;w=96&amp;q=75&amp;dpl=5308a06f72e521c427612781702111af372fc3d1 96w, \/_next\/image?url=https%3A%2F%2Fwp.theringer.com%2Fwp-content%2Fuploads%2F2024%2F11%2FChin_Daniel.jpg&amp;w=128&amp;q=75&amp;dpl=5308a06f72e521c427612781702111af372fc3d1 128w, \/_next\/image?url=https%3A%2F%2Fwp.theringer.com%2Fwp-content%2Fuploads%2F2024%2F11%2FChin_Daniel.jpg&amp;w=256&amp;q=75&amp;dpl=5308a06f72e521c427612781702111af372fc3d1 256w, \/_next\/image?url=https%3A%2F%2Fwp.theringer.com%2Fwp-content%2Fuploads%2F2024%2F11%2FChin_Daniel.jpg&amp;w=384&amp;q=75&amp;dpl=5308a06f72e521c427612781702111af372fc3d1 384w, \/_next\/image?url=https%3A%2F%2Fwp.theringer.com%2Fwp-content%2Fuploads%2F2024%2F11%2FChin_Daniel.jpg&amp;w=640&amp;q=75&amp;dpl=5308a06f72e521c427612781702111af372fc3d1 640w, \/_next\/image?url=https%3A%2F%2Fwp.theringer.com%2Fwp-content%2Fuploads%2F2024%2F11%2FChin_Daniel.jpg&amp;w=750&amp;q=75&amp;dpl=5308a06f72e521c427612781702111af372fc3d1 750w, \/_next\/image?url=https%3A%2F%2Fwp.theringer.com%2Fwp-content%2Fuploads%2F2024%2F11%2FChin_Daniel.jpg&amp;w=828&amp;q=75&amp;dpl=5308a06f72e521c427612781702111af372fc3d1 828w, \/_next\/image?url=https%3A%2F%2Fwp.theringer.com%2Fwp-content%2Fuploads%2F2024%2F11%2FChin_Daniel.jpg&amp;w=1080&amp;q=75&amp;dpl=5308a06f72e521c427612781702111af372fc3d1 1080w, \/_next\/image?url=https%3A%2F%2Fwp.theringer.com%2Fwp-content%2Fuploads%2F2024%2F11%2FChin_Daniel.jpg&amp;w=1200&amp;q=75&amp;dpl=5308a06f72e521c427612781702111af372fc3d1 1200w, \/_next\/image?url=https%3A%2F%2Fwp.theringer.com%2Fwp-content%2Fuploads%2F2024%2F11%2FChin_Daniel.jpg&amp;w=1920&amp;q=75&amp;dpl=5308a06f72e521c427612781702111af372fc3d1 1920w, \/_next\/image?url=https%3A%2F%2Fwp.theringer.com%2Fwp-content%2Fuploads%2F2024%2F11%2FChin_Daniel.jpg&amp;w=2048&amp;q=75&amp;dpl=5308a06f72e521c427612781702111af372fc3d1 2048w, \/_next\/image?url=https%3A%2F%2Fwp.theringer.com%2Fwp-content%2Fuploads%2F2024%2F11%2FChin_Daniel.jpg&amp;w=3840&amp;q=75&amp;dpl=5308a06f72e521c427612781702111af372fc3d1 3840w\" src=\"https:\/\/www.theringer.com\/_next\/image?url=https%3A%2F%2Fwp.theringer.com%2Fwp-content%2Fuploads%2F2024%2F11%2FChin_Daniel.jpg&amp;w=3840&amp;q=75&amp;dpl=5308a06f72e521c427612781702111af372fc3d1\"\/><\/a><\/div>\n<\/div>\n<div class=\"ui-mx-auto ui-text-center\"><a data-sentry-element=\"Link\" data-sentry-source-file=\"creator.tsx\" href=\"https:\/\/www.theringer.com\/creator\/daniel-chin\"><\/p>\n<p>Daniel Chin<\/p>\n<p><\/a><span data-sentry-element=\"Text\" data-sentry-source-file=\"creator.tsx\" class=\"motion-safe:ui-transition-colors ui-text-black ui-text-body-lg-serif-intro lg:ui-text-body-xl-serif ui-mx-auto ui-block ui-max-w-[80%] lg:ui-mt-3 ui-mt-2 motion-safe:transition-colors\">Daniel writes about TV, film, and scattered topics in sports that usually involve the New York Knicks. He often covers the never-ending cycle of superhero content and other areas of nerd culture and fandom. He is based in Brooklyn.&#13;<br \/>\n<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/ubirataonline.com.br\/noticias\/\" target=\"_blank\" rel=\"noopener noreferrer\">Mais Not\u00edcias<\/a><\/p>\n<p><a href=\"https:\/\/ubirataonline.com.br\" target=\"_blank\" rel=\"noopener noreferrer\">Home Page &#8211; In\u00edcio<\/a><\/p>\n<p><a href=\"https:\/\/www.theringer.com\/2026\/07\/01\/marvel\/x-men-97-season-2-apocalypse-marvel-mutants\">Source link <\/a><br \/>\nSee more: <a href=\"https:\/\/theglobaltrack.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">The Global Track<\/a><\/p>\n<p><a href=\"https:\/\/corinthiames.com.br\/\" target=\"_blank\" rel=\"noopener noreferrer\">Corinthia Mes<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>MarvelMarvelThe revival series\u2019 second season explores the past, present, and future of a familiar mutant archnemesis Disney\/Ringer illustration By Daniel ChinJuly 1, 3:38 pm UTC \u2022 5 min Even though the first season of X-Men \u201997 arrived with plenty of fanfare when it was released in 2024, it exceeded all expectations. The revival marked the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":149918,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow2JLhCw:productID":"","_gspb_post_css":"","maa_idioma":"","maa_pais":"","footnotes":""},"categories":[40158],"tags":[33044,9670,4734,37892],"class_list":["post-149917","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-world","tag-apocalypse","tag-bad","tag-big","tag-xmen"],"blocksy_meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.6 (Yoast SEO v27.6) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Apocalypse Now: \u2018X-Men \u201997\u2019 Has a New (Old) Big Bad - Ubirat\u00e3 Online Not\u00edcias - A realidade ao seu alcance!<\/title>\n<meta name=\"description\" content=\"MarvelMarvelThe revival series\u2019 second season explores the past, present, and future of a familiar mutant archnemesisDisney\/Ringer illustrationBy Daniel\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ubirataonline.com.br\/en\/apocalypse-now-x-men-97-has-a-new-old-big-bad\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Apocalypse Now: \u2018X-Men \u201997\u2019 Has a New (Old) Big Bad\" \/>\n<meta property=\"og:description\" content=\"MarvelMarvelThe revival series\u2019 second season explores the past, present, and future of a familiar mutant archnemesisDisney\/Ringer illustrationBy Daniel\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ubirataonline.com.br\/en\/apocalypse-now-x-men-97-has-a-new-old-big-bad\/\" \/>\n<meta property=\"og:site_name\" content=\"Ubirat\u00e3 Online Not\u00edcias - 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