{"id":78120,"date":"2026-01-07T05:44:20","date_gmt":"2026-01-07T08:44:20","guid":{"rendered":"https:\/\/ubirataonline.com.br\/narnia-dune-charli-xcx-the-2026-films-guardian-writers-are-most-excited-about-film\/"},"modified":"2026-01-07T05:44:20","modified_gmt":"2026-01-07T08:44:20","slug":"narnia-dune-charli-xcx-the-2026-films-guardian-writers-are-most-excited-about-film","status":"publish","type":"post","link":"https:\/\/ubirataonline.com.br\/en\/narnia-dune-charli-xcx-the-2026-films-guardian-writers-are-most-excited-about-film\/","title":{"rendered":"Narnia! Dune! Charli xcx! The 2026 films Guardian writers are most excited about | Film"},"content":{"rendered":"<p><br \/>\n<\/p>\n<div>\n<h2 id=\"narnia-the-magicians-nephew\" class=\"dcr-n4qeq9\"><strong>Narnia: The Magician\u2019s Nephew<\/strong><\/h2>\n<figure id=\"4f45e3c6-4525-48f8-81fb-53a6afbcbf46\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Greta Gerwig.<\/span> Photograph: Tom Nicholson\/REX\/Shutterstock<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">I doubt very much that 2026 will see anything in the <a href=\"https:\/\/www.theguardian.com\/film\/2025\/dec\/01\/marty-supreme-review-timothee-chalamet-ping-pong-table-tennis\" data-link-name=\"in body link\">Marty Supreme<\/a> league, but here\u2019s hoping one of the most bizarre side-steps of the decade turns out as interesting as it hopes. Short of <a href=\"https:\/\/www.theguardian.com\/film\/christopher-nolan\" data-link-name=\"in body link\">Christopher Nolan<\/a> signing on to the new Mr Men movie, I didn\u2019t think much would throw the industry a loop as when <a href=\"https:\/\/www.theguardian.com\/film\/greta-gerwig\" data-link-name=\"in body link\">Greta Gerwig<\/a> decided to follow up bubblegum blockbuster <a href=\"https:\/\/www.theguardian.com\/film\/2023\/jul\/23\/barbie-review-greta-gerwig-margot-robbie-ryan-riotous-candy-coloured-feminist-fable\" data-link-name=\"in body link\">Barbie<\/a> with \u2026\u2026 a Narnia movie. More specifically, Gerwig \u2013 previously a skilled purveyor of achingly hip alt-indie comedy with Lady Bird, Frances Ha and Damsels in Distress \u2013 is <a href=\"https:\/\/www.theguardian.com\/film\/2023\/nov\/10\/greta-gerwig-narnia-netflix-cs-lewis\" data-link-name=\"in body link\">restarting<\/a> the Narnia series, which had got through three of CS Lewis\u2019s series before Netflix took over the rights. To my mind, though, The Magician\u2019s Nephew, Lewis\u2019s origins\/prequel to the Wardrobe\/Caspian\/Dawn Treader narrative, is the most interesting of the entire Narnia canon, with its Edenic fall, \u201cdeplorable word\u201d and mystical apple. We know some of the cast: Emma Mackey is the future White Witch, <a href=\"https:\/\/www.theguardian.com\/film\/carey-mulligan\" data-link-name=\"in body link\">Carey Mulligan<\/a> the terminally ill mother of one of the main kids, and <a href=\"https:\/\/www.theguardian.com\/film\/danielcraig\" data-link-name=\"in body link\">Daniel Craig<\/a> <a href=\"https:\/\/www.theguardian.com\/film\/2025\/mar\/13\/daniel-craig-greta-gerwig-narnia-film-netflix\" data-link-name=\"in body link\">might<\/a> be Aslan or mad inventor Uncle Andrew \u2013 or both, or neither. All eyes will be naturally be on Gerwig, but I have confidence she will pull it off in style. <em>Andrew Pulver<\/em><\/p>\n<h2 id=\"dune-messiah\" class=\"dcr-n4qeq9\"><strong>Dune: Messiah<\/strong><\/h2>\n<figure id=\"c82b7168-2451-4b07-a087-cbbd15723c7e\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Timoth\u00e9e Chalamet.<\/span> Photograph: Warner Bros\/Everett\/Shutterstock<\/figcaption><\/figure>\n<figure id=\"0eff25b3-47d6-455a-96a2-d551d4eb07a1\" data-spacefinder-role=\"richLink\" data-spacefinder-type=\"model.dotcomrendering.pageElements.RichLinkBlockElement\" class=\"dcr-47fhrn\"><gu-island name=\"RichLinkComponent\" priority=\"feature\" deferuntil=\"idle\" props=\"{&quot;richLinkIndex&quot;:5,&quot;element&quot;:{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.RichLinkBlockElement&quot;,&quot;prefix&quot;:&quot;Related: &quot;,&quot;text&quot;:&quot;From K-pop and The Traitors to Dune and the return of Madge: your A-Z of the biggest culture of 2026&quot;,&quot;elementId&quot;:&quot;0eff25b3-47d6-455a-96a2-d551d4eb07a1&quot;,&quot;role&quot;:&quot;richLink&quot;,&quot;url&quot;:&quot;https:\/\/www.theguardian.com\/culture\/2026\/jan\/04\/culture-2026-a-z-zendaya-madonna-dracula-bizkit-wuthering-world-cup&quot;},&quot;ajaxUrl&quot;:&quot;https:\/\/api.nextgen.guardianapps.co.uk&quot;,&quot;format&quot;:{&quot;design&quot;:10,&quot;display&quot;:0,&quot;theme&quot;:3}}\"\/><\/figure>\n<p class=\"dcr-130mj7b\">After claiming that he was going to focus on other projects and maybe even abandon Dune after two laborious half-book adaptations, <a href=\"https:\/\/www.theguardian.com\/film\/denis-villeneuve\" data-link-name=\"in body link\">Denis Villeneuve<\/a>, inspired by how <a href=\"https:\/\/www.theguardian.com\/film\/2024\/mar\/04\/dune-part-two-review\" data-link-name=\"in body link\">Part Two<\/a> was \u201creceived by cinephiles around the world\u201d (LOL), <a href=\"https:\/\/collider.com\/dune-3-writing-update-denis-villeneuve\/\" data-link-name=\"in body link\">fast-tracked<\/a> Dune: Messiah. The final chapter in the epic sci-fi trilogy is now due this December (though given that it\u2019s slated to compete against the newest Avengers, that is likely subject to change.) And thank God for that \u2013 as the Guardian\u2019s <a href=\"https:\/\/www.theguardian.com\/film\/2025\/feb\/21\/why-dune-part-two-should-win-the-best-picture-oscar\" data-link-name=\"in body link\">resident Dunehead<\/a>, I must report that I have been counting down the days to Messiah since Zendaya\u2019s heartbroken Chani fled the scene of her boyfriend\u2019s genocidal freak metamorphosis via sandworm. It does not matter that Frank Herbert\u2019s far weirder sequel may actually be, as some charged of the first book, unadaptable; that the plot devolves into resurrected zombie warriors and worm gods and required <a href=\"https:\/\/www.theguardian.com\/film\/timoth-e-chalamet\" data-link-name=\"in body link\">Timoth\u00e9e Chalamet<\/a> to shave his head. Villeneuve\u2019s vision for the first two films \u2013 gloriously strange and wonderfully vast, from the infrared Black Sun to the desert mouse \u2013 is so commanding, so thrilling to behold on the big screen, that I simply trust he will land the spaceship and give us one more round of heady yet extremely hype-y interplanetary escapism in 2026. <em>Adrian Horton<\/em><\/p>\n<h2 id=\"the-moment\" class=\"dcr-n4qeq9\"><strong>The Moment<\/strong><\/h2>\n<figure id=\"31d4e945-36b4-424f-bd22-7bc83dc123a8\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.VideoYoutubeBlockElement\" class=\"dcr-173mewl\">\n<div data-component=\"youtube-embed\" class=\"dcr-13aa88h\">\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/Pxqhi7Sgvu8?wmode=opaque&amp;feature=oembed\" title=\"The Moment | Official Trailer HD | A24\" height=\"480\" width=\"854\" allowfullscreen=\"\"><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"dcr-130mj7b\">It seems like an eternity since then, but a mere 18 months ago <a href=\"https:\/\/www.theguardian.com\/music\/charli-xcx\" data-link-name=\"in body link\">Charli xcx<\/a> turned the summer lime green and dared us all to find <a href=\"https:\/\/www.theguardian.com\/lifeandstyle\/article\/2024\/jul\/16\/brat-summer-is-the-long-era-of-clean-living-finally-over\" data-link-name=\"in body link\">our inner brat<\/a>. Now, pop\u2019s smudged-eyeliner princess promises to again dominate in 2026 \u2013 she <a href=\"https:\/\/www.theguardian.com\/music\/2025\/dec\/31\/lily-allen-charli-xcx-simon-rattle-music-to-listen-out-for-in-2026\" data-link-name=\"in body link\">has<\/a> an original soundtrack to a reimagined <a href=\"https:\/\/www.theguardian.com\/film\/wuthering-heights\" data-link-name=\"in body link\">Wuthering Heights<\/a> arriving in February and this charming mockumentary popping out at the end of January. Detailing a wonderfully deranged alternate history of the artist\u2019s 2024 rampage of a summer tour, <a href=\"https:\/\/www.theguardian.com\/film\/2025\/nov\/20\/charli-xcx-the-moment-trailer-teaser\" data-link-name=\"in body link\">The Moment<\/a> was reportedly born out of a confessional text of \u201cword vomit\u201d that the singer made to her music video collaborator Aidan Zamiri (directing his first feature film). The movie will hopefully channel the madcap energy of the delightfully cracked visuals that the pair put together for tracks 360 and Guess (with Billie Eilish), giving us all something that doesn\u2019t lose its shine after an hour sets in. With a starring role from <a href=\"https:\/\/www.theguardian.com\/film\/2025\/nov\/21\/i-think-my-mums-going-to-like-it-alexander-skarsgard-on-his-gay-biker-dom-com-pillion\" data-link-name=\"in body link\">Alexander Skarsg\u00e5rd<\/a> and a score from longtime Charli collaborator <a href=\"https:\/\/www.theguardian.com\/music\/2025\/aug\/30\/ag-cook-brooklyn-show-review\" data-link-name=\"in body link\">AG Cook<\/a>, the promise is there \u2013 hopefully it meets The Moment. <em>Veronica Esposito<\/em><\/p>\n<h2 id=\"a-place-in-hell\" class=\"dcr-n4qeq9\"><strong>A Place in Hell<\/strong><\/h2>\n<figure id=\"4ce95813-4dbc-4feb-b2e6-54cf71f7e318\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Michelle Williams.<\/span> Photograph: Gilbert Flores\/Variety\/Getty Images<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">Back at Sundance 2023, I was lucky enough to secure a seat for the world premiere of battle of the sexes thriller <a href=\"https:\/\/www.theguardian.com\/film\/2023\/jan\/20\/fair-play-review-knockout-thriller-pits-a-couple-against-each-other\" data-link-name=\"in body link\">Fair Play<\/a>, a question mark of a film that suddenly became popular enough to see crowds turned away at the door. It was the kind of communal experience I crave at festivals: an electric wave of audible anger and excitement, and as has become depressingly commonplace, one that very few people were able to replicate in the real world. It was bought by Netflix and so a juicy, glossily made crowd-provoker was dumped on smartphones, a fate that\u2019s set to be avoided for writer-director Chloe Domont\u2019s follow-up, another corporate thriller called A Place in Hell. The film, which stars <a href=\"https:\/\/www.theguardian.com\/film\/michelle-williams\" data-link-name=\"in body link\">Michelle Williams<\/a>, Daisy Edgar-Jones and <a href=\"https:\/\/www.theguardian.com\/culture\/andrew-scott\" data-link-name=\"in body link\">Andrew Scott<\/a>, has been picked up by Neon, and while little is known about the plot (although the title suggests this time, the fight will be between two women), we at least know we\u2019ll all get to see it on the big screen. <em>Benjamin Lee<\/em><\/p>\n<h2 id=\"flowervale-street\" class=\"dcr-n4qeq9\"><strong>Flowervale Street<\/strong><\/h2>\n<figure id=\"35cf5954-6bae-4acf-9443-d1511f95e546\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Anne Hathaway.<\/span> Photograph: Dimitrios Kambouris\/Getty Images<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">In the past 16 years, David Robert Mitchell has made just three feature films. It was probably the third of these, 2019\u2019s hallucinatory <a href=\"https:\/\/www.theguardian.com\/film\/2018\/may\/16\/under-the-silver-lake-review-david-robert-mitchell-andrew-garfield-cannes\" data-link-name=\"in body link\">Under the Silver Lake<\/a>, that ensured these numbers would not continue to grow. Silver Lake, a dark rabbit-hole comedy of unsettling conspiracy brain, was a barely released bomb for A24, an embarrassment just as the company was finding its footing as the hippest indie studio of the new century. It\u2019s also a terrific movie and only amplified my desire to see what Mitchell would do next. The most exciting thing about Flowervale Street, Mitchell\u2019s fourth film, is that I\u2019m still not sure what exactly that is. Supposedly it\u2019s an uncharacteristically family-friendly project, as well as a bigger-budget movie than he has previously made. (It has held several different high-profile release dates and is now penciled into August 2025.) It definitely co-stars <a href=\"https:\/\/www.theguardian.com\/film\/anne-hathaway\" data-link-name=\"in body link\">Anne Hathaway<\/a> and <a href=\"https:\/\/www.theguardian.com\/film\/ewanmcgregor\" data-link-name=\"in body link\">Ewan McGregor<\/a>. It may involve dinosaurs. But if it\u2019s even remotely of a tonal piece with the eerie, evocative <a href=\"https:\/\/www.theguardian.com\/film\/2015\/feb\/26\/it-follows-review-horror-sex-death\" data-link-name=\"in body link\">It Follows<\/a>; lovely the Myth of the American Sleepover; or hilarious, unsparing Under the Silver Lake, it will be one of the most distinctive big-studio fantasies of the year. <em>Jesse Hassenger<\/em><\/p>\n<h2 id=\"the-adventures-of-cliff-booth\" class=\"dcr-n4qeq9\"><strong>The Adventures of Cliff Booth<\/strong><\/h2>\n<figure id=\"24ec7917-3353-45e4-813b-22e09cfd4baa\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Brad Pitt.<\/span> Photograph: Sony Pictures\/Andrew Cooper\/Allstar<\/figcaption><\/figure>\n<figure id=\"3fd1a928-dd6f-4ee9-a145-3a469c9fabf0\" data-spacefinder-role=\"richLink\" data-spacefinder-type=\"model.dotcomrendering.pageElements.RichLinkBlockElement\" class=\"dcr-47fhrn\"><gu-island name=\"RichLinkComponent\" priority=\"feature\" deferuntil=\"idle\" props=\"{&quot;richLinkIndex&quot;:18,&quot;element&quot;:{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.RichLinkBlockElement&quot;,&quot;prefix&quot;:&quot;Related: &quot;,&quot;text&quot;:&quot;Wuthering Heights, Michael Jackson and the \u2018Trump effect\u2019 \u2013 will 2026 see the end of the \u2018woke\u2019 blockbuster? &quot;,&quot;elementId&quot;:&quot;3fd1a928-dd6f-4ee9-a145-3a469c9fabf0&quot;,&quot;role&quot;:&quot;richLink&quot;,&quot;url&quot;:&quot;https:\/\/www.theguardian.com\/film\/2026\/jan\/01\/wuthering-heights-michael-jackson-trump-effect-will-2026-see-the-end-of-the-woke-blockbuster&quot;},&quot;ajaxUrl&quot;:&quot;https:\/\/api.nextgen.guardianapps.co.uk&quot;,&quot;format&quot;:{&quot;design&quot;:10,&quot;display&quot;:0,&quot;theme&quot;:3}}\"\/><\/figure>\n<p class=\"dcr-130mj7b\"><a href=\"https:\/\/www.theguardian.com\/film\/quentintarantino\" data-link-name=\"in body link\">Quentin Tarantino<\/a>\u2019s movies are playfully pulpy, indulgent and in your face with the writer-director\u2019s verbosity, his personality dripping off every syllable. <a href=\"https:\/\/www.theguardian.com\/film\/david-fincher\" data-link-name=\"in body link\">David Fincher<\/a>, by contrast, favours cool, stealthy and cerebral; his trademark being what appears to be an invisible hand in complete control. Both are among the US\u2019s most revered auteurs with styles so distinct you wouldn\u2019t think they could exist in the same universe, which is why Fincher serving as the surrogate shepherding a Tarantino project to the screen is as tantalizing as it is confounding. <a href=\"https:\/\/www.theguardian.com\/film\/bradpitt\" data-link-name=\"in body link\">Brad Pitt<\/a> brought Tarantino\u2019s script for The Adventures of Cliff Booth, a sequel to <a href=\"https:\/\/www.theguardian.com\/film\/2019\/may\/21\/once-upon-a-time-in-hollywood-review-tarantino-dazzling-dicaprio-pitt\" data-link-name=\"in body link\">Once Upon a Time \u2026 in Hollywood<\/a>, to Fincher, when the former decided he didn\u2019t want his 10th (and, as he insists, final) film to keep him in familiar terrain. (Or maybe he\u2019d rather spend his downtime on podcasts, <a href=\"https:\/\/www.theguardian.com\/film\/2025\/dec\/10\/quentin-tarantino-needs-to-stop-criticising-films-and-start-making-them-again\" data-link-name=\"in body link\">talking smack<\/a> about Paul Dano, while dwelling on what his curtain call will be.) Whatever the reasoning, I can\u2019t wait to see Fincher\u2019s bastardized version and what he makes of Pitt\u2019s Cliff Booth, the Hollywood stunt man who doesn\u2019t quite fit in with the old guard or the counterculture, his penchant for violence and alpha male swagger at delicious odds with his zen-like calm and curious taste for free love and LSD. Cliff Booth is a beautiful contradiction, which is what I\u2019m counting on Fincher\u2019s Tarantino project to be. <em>Radheyan Simonpillai<\/em><\/p>\n<h2 id=\"i-love-boosters\" class=\"dcr-n4qeq9\"><strong>I Love Boosters<\/strong><\/h2>\n<figure id=\"de44b529-dc77-41d0-886b-7eaa025de885\" data-spacefinder-role=\"thumbnail\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-13rnsx0\">\n<div id=\"\" class=\"dcr-1t8m8f2\"><picture class=\"dcr-evn1e9\"><source srcset=\"https:\/\/i.guim.co.uk\/img\/media\/078fc58945af6d3f9b8b16d149a45944f328119f\/210_4_350_280\/master\/350.jpg?width=140&amp;dpr=2&amp;s=none&amp;crop=none\" media=\"(min-width: 740px) and (-webkit-min-device-pixel-ratio: 1.25), (min-width: 740px) and (min-resolution: 120dpi)\"\/><source srcset=\"https:\/\/i.guim.co.uk\/img\/media\/078fc58945af6d3f9b8b16d149a45944f328119f\/210_4_350_280\/master\/350.jpg?width=140&amp;dpr=1&amp;s=none&amp;crop=none\" media=\"(min-width: 740px)\"\/><source srcset=\"https:\/\/i.guim.co.uk\/img\/media\/078fc58945af6d3f9b8b16d149a45944f328119f\/210_4_350_280\/master\/350.jpg?width=120&amp;dpr=2&amp;s=none&amp;crop=none\" media=\"(min-width: 320px) and (-webkit-min-device-pixel-ratio: 1.25), (min-width: 320px) and (min-resolution: 120dpi)\"\/><source srcset=\"https:\/\/i.guim.co.uk\/img\/media\/078fc58945af6d3f9b8b16d149a45944f328119f\/210_4_350_280\/master\/350.jpg?width=120&amp;dpr=1&amp;s=none&amp;crop=none\" media=\"(min-width: 320px)\"\/><img decoding=\"async\" alt=\"woman with pink hair looks ahead\" src=\"https:\/\/i.guim.co.uk\/img\/media\/078fc58945af6d3f9b8b16d149a45944f328119f\/210_4_350_280\/master\/350.jpg?width=120&amp;dpr=1&amp;s=none&amp;crop=none\" width=\"120\" height=\"96\" loading=\"lazy\" class=\"dcr-evn1e9\"\/><\/picture><\/div><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Keke Palmer.<\/span> Photograph: Courtesy of NEON<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\"><a href=\"https:\/\/www.theguardian.com\/tv-and-radio\/2023\/dec\/26\/boots-riley-on-strikes-sedition-and-sex\" data-link-name=\"in body link\">Boots Riley<\/a> has a knack for writing stories that live on in my mind well after I\u2019ve seen them play out on screen. I still wonder what became of <a href=\"https:\/\/www.theguardian.com\/film\/2018\/dec\/06\/sorry-to-bother-you-review-boots-riley-lakeith-stanfield-tessa-thompson\" data-link-name=\"in body link\">Sorry to Bother You<\/a>\u2019s Equisapiens, and think about I Am a Virgo using a 13ft protagonist to personify the American fascination with Black genetic marvels from hardscrabble backgrounds. All the while, I\u2019ve been holding space for Riley\u2019s next brainteaser: I Love Boosters. Described as a \u201csci-fi heist comedy\u201d, I Love Boosters follows a crew of professional shoplifters who go from boosting luxury goods to taking down a ruthless fashion designer. <a href=\"https:\/\/www.theguardian.com\/film\/2024\/nov\/02\/keke-palmer-interview-master-of-me-nope-hustlers\" data-link-name=\"in body link\">Keke Palmer<\/a>, <a href=\"https:\/\/www.theguardian.com\/film\/demi-moore\" data-link-name=\"in body link\">Demi Moore<\/a> and Sorry to Bother You lead <a href=\"https:\/\/www.theguardian.com\/film\/lakeith-stanfield\" data-link-name=\"in body link\">LaKeith Stanfield<\/a> star in what figures to be a trenchant, if trippy, commentary on the fashion industry and consumerism writ large \u2013 and the timing (read: this precarious economic moment) couldn\u2019t be better. <em>Andrew Lawrence<\/em><\/p>\n<h2 id=\"digger\" class=\"dcr-n4qeq9\"><strong>Digger<\/strong><\/h2>\n<figure id=\"48c58835-c4de-43a1-8489-e7cbf88a671f\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.VideoYoutubeBlockElement\" class=\"dcr-173mewl\">\n<div data-component=\"youtube-embed\" class=\"dcr-13aa88h\">\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/Rd21PhsDHww?wmode=opaque\" height=\"480\" width=\"854\" allowfullscreen=\"\"><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"dcr-130mj7b\">Pretty much nothing is known about the plot of this film, but it\u2019s high on my most-anticipated list because of the people who made it. <a href=\"https:\/\/www.theguardian.com\/film\/alejandro-gonzalez-inarritu\" data-link-name=\"in body link\">Alejandro Gonz\u00e1lez I\u00f1\u00e1rritu<\/a> directed and co-wrote the film, and while I don\u2019t always love his work \u2013 not The Revenant\u2019s aggressive brutality, not Birdman\u2019s scratchy solipsism, certainly not whatever Bardo is \u2013 they are nonetheless ornate, meticulously crafted objects worth contending with. But it\u2019s the film\u2019s star, <a href=\"https:\/\/www.theguardian.com\/film\/tomcruise\" data-link-name=\"in body link\">Tom Cruise<\/a>, who is the real draw here. It\u2019s been nine years since Cruise did a non-franchise film, and even longer since he\u2019s worked with a lauded auteur like I\u00f1\u00e1rritu. Cruise starring in a $125m, studio-backed dark comedy from an Oscar-winning director \u2013 alongside <a href=\"https:\/\/www.theguardian.com\/culture\/jesse-plemons\" data-link-name=\"in body link\">Jesse Plemons<\/a>, <a href=\"https:\/\/www.theguardian.com\/film\/2024\/jan\/19\/this-is-a-film-to-make-us-unsafe-in-the-cinema-as-we-should-be-sandra-huller-and-christian-friedel-on-the-zone-of-interest\" data-link-name=\"in body link\">Sandra H\u00fcller<\/a>, <a href=\"https:\/\/www.theguardian.com\/culture\/riz-ahmed\" data-link-name=\"in body link\">Riz Ahmed<\/a> and more \u2013 sounds like something that would have happened 20 years ago, not in 2026. That\u2019s pretty exciting. <em>Richard Lawson<\/em><\/p>\n<h2 id=\"untitled-jesse-eisenberg-musical-comedy\" class=\"dcr-n4qeq9\"><strong>Untitled Jesse Eisenberg musical comedy<\/strong><\/h2>\n<figure id=\"38a92718-ab62-4590-8da0-f6acec3295a6\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-fd61eq\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Jesse Eisenberg.<\/span> Photograph: Gilbert Flores\/Variety\/Getty Images<\/figcaption><\/figure>\n<p class=\"dcr-130mj7b\">A Real Pain was the actual best film of last Oscars season; the best film of the season after this one is likely to be the untitled <a href=\"https:\/\/www.theguardian.com\/film\/jesse-eisenberg\" data-link-name=\"in body link\">Jesse Eisenberg<\/a> musical project. Bankrolled by A24 and set in \u201cthe high-stakes world of community theatre\u201d, his third film as writer-director stars <a href=\"https:\/\/www.theguardian.com\/film\/ng-interactive\/2025\/jun\/13\/im-not-the-rock-right-julianne-moore-on-action-movies-appropriate-parenting-and-twinning-with-tilda-swinton\" data-link-name=\"in body link\">Julianne Moore<\/a> as a shy housewife who takes acting classes, gets into it, then goes full method and takes a job as the superintendent of an apartment building so she can better realise her performance. Paul Giamatti plays her unlikely mentor; Eisenberg has a bit-part, likewise Halle Bailey and Bernadette Peters. A leaked report from a test screening this summer said \u201cwhat begins as an eccentric character study quickly shifts into a dark comedy \u2013 imagine Woody Allen\u2019s version of Black Swan. The audience roared with laughter.\u201d It\u2019s not at Sundance \u2013 a bit odd, given how great a launchpad that proved for <a href=\"https:\/\/www.theguardian.com\/film\/2024\/jan\/21\/a-real-pain-review-jesse-eisenberg-kieran-culkin\" data-link-name=\"in body link\">A Real Pain<\/a>. Still, wherever this washes up, I\u2019m in. <em>Catherine Shoard<\/em><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.theguardian.com\/culture\/2026\/jan\/06\/new-film-releases-2026\">Source link <\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Narnia: The Magician\u2019s Nephew Greta Gerwig. Photograph: Tom Nicholson\/REX\/Shutterstock I doubt very much that 2026 will see anything in the Marty Supreme league, but here\u2019s hoping one of the most bizarre side-steps of the decade turns out as interesting as it hopes. Short of Christopher Nolan signing on to the new Mr Men movie, I [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":78121,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow2JLhCw:productID":"","maa_idioma":"","maa_pais":"","footnotes":""},"categories":[2725],"tags":[12433,12432,7049,3375,6739,12435,12431,12436,12434],"class_list":["post-78120","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-europe","tag-charli","tag-dune","tag-excited","tag-film","tag-films","tag-guardian","tag-narnia","tag-writers","tag-xcx"],"blocksy_meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.6 (Yoast SEO v27.6) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Narnia! Dune! Charli xcx! 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