{"id":80309,"date":"2026-01-18T21:35:03","date_gmt":"2026-01-19T00:35:03","guid":{"rendered":"https:\/\/ubirataonline.com.br\/the-fall-and-rise-of-reggie-dinkins-review-tracy-morgan-nbc-comedy\/"},"modified":"2026-01-18T21:35:03","modified_gmt":"2026-01-19T00:35:03","slug":"the-fall-and-rise-of-reggie-dinkins-review-tracy-morgan-nbc-comedy","status":"publish","type":"post","link":"https:\/\/ubirataonline.com.br\/en\/the-fall-and-rise-of-reggie-dinkins-review-tracy-morgan-nbc-comedy\/","title":{"rendered":"‘The Fall and Rise of Reggie Dinkins’ Review: Tracy Morgan NBC Comedy"},"content":{"rendered":"


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\n\tI don\u2019t mean to tell Hollywood\u2019s creative forces what to do, but the pace of sports mockumentary production has fallen well behind the pace of sports documentary production. The latter is a genre that \u2014 as much as I watch it vociferously \u2014 is always in need of a little ego deflation.<\/p>\n

\n\tThere are great sports mockumentaries, like the HBO Sports tennis comedy 7 Days in Hell<\/em> or the When We Were Kings<\/em>-inspired \u201cHow They Threw Rocks\u201d episode of Documentary Now!<\/em>. It\u2019s harder to do a sports mockumentary as an ongoing series, but the American Vandal<\/em> guys tackled e-sports fairly well (at times) in Paramount+\u2019s Players<\/a><\/em>.<\/p>\n

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\t\t\t\t\tThe Fall and Rise of Reggie Dinkins\t\t<\/p>\n<\/h3>\n

\n\t\t\t\t\tThe Bottom Line<\/span>
\n\t\t\t\t\t<\/p>\n

\tGets better as it goes.
\n\t<\/span>\n\t\t\t\t<\/p>\n<\/p><\/div>\n

\t\t\t\t\t\t\tPreview: <\/strong>Sunday, January 18, after the NFL Playoffs (NBC)
Time period premiere:<\/strong> Monday, February 23 (NBC)
Cast: <\/strong>Tracy Morgan, Daniel Radcliffe, Erika Alexander, Bobby Moynihan, Precious Way, Jalyn Hall
Creators: <\/strong>Robert Carlock and Sam Means
\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t<\/p>\n<\/p><\/div>\n<\/div>\n

\n\tPremiering after the NFL playoff game on Sunday (January 18) on NBC a full month ahead of its February 23 launch, The Fall and Rise of Reggie Dinkins<\/a><\/em> is still establishing its potential within the genre.<\/p>\n

\n\tLike so many of Tina Fey<\/a> and Robert Carlock<\/a>\u2018s comedies, including 30 Rock<\/a><\/em>, The Fall and Rise of Reggie Dinkins <\/em>doesn\u2019t start with full confidence in its overall voice or characters, settling to get most of its laughs from familiar cutaways and asides. As with shows including Unbreakable Kimmy Schmidt<\/em>, Great News<\/a><\/em>, Girls5eva<\/a><\/em> and even the lesser Mr. Mayor<\/a><\/em>, the improvement is swift and evident through the four episodes sent to critics<\/p>\n

\n\tSo watch the pilot for the unlikely comic pairing of Tracy Morgan<\/a> and Daniel Radcliffe<\/a>, but know that while I chuckled at the first couple of episodes, the third and fourth episodes were the ones that really made me eager to watch more.<\/p>\n

\n\tMorgan plays Reggie Dinkins, a Brooklyn-born former top NFL draft pick and two-time MVP who signed with the Jets in 2005 ready to lead the team to the Super Bowl and become a legend. Instead, Reggie accidentally confessed to an extensive gambling problem and became a national disgrace.<\/p>\n

\n\tTwo decades later, Reggie is still doing surprisingly well, economically, thanks to the management of his ex-wife Monica (Erika Alexander<\/a>). He has a nice house in New Jersey, a loving son (Jalyn Hall\u2019s Carmelo), a best friend who lives in his basement (Bobby Moynihan\u2019s Rusty) and an attractive young fianc\u00e9e (Precious Way\u2019s Brina). But what he really wants is to be universally loved again. And what he really, REALLY wants is to be reinstated into the NFL so that he can go into the Hall of Fame.<\/p>\n

\n\tReggie\u2019s solution is to hire Arthur Tobin (Daniel Radcliffe), an Oscar-winning documentarian, to make an adulatory film about him, changing public perception and opening new doors.<\/p>\n

\n\tBut Arthur, covering up a disgrace, has his own ethics and his own ideas about what this documentary could be. He doesn\u2019t seem to want it to be a hatchet job \u2014 the approach is v\u00e9rit\u00e9 meets The Last Dance<\/em>, give or take \u2014 but he wants to capture reality.<\/p>\n

\n\tMonica doesn\u2019t think either documentary is a good idea.<\/p>\n

\n\tI understand completely that NBC will never have get a bigger lead-in audience than the one watching the Rams and Bears on Sunday night, but the pilot of The Fall and Rise of Reggie Dinkins<\/em> isn\u2019t the best way to hook anybody.<\/p>\n

\n\tCreated by Carlock and frequent collaborator Sam Means, directed by Documentary Now!<\/em> co-creator and \u201cHow They Threw Rocks\u201d co-director Rhys Thomas, the opener is an only semi-necessary premise pilot, introducing Reggie and Arthur in some detail, Monica as a disapproving wet blanket, and both Carmelo and Brina as occasionally present appendages.<\/p>\n

\n\tThe conceit is probably most similar to Mark Monroe\u2019s Charlie Hustle & The Matter of Pete Rose<\/a><\/em>, a four-part HBO film that the baseball career hits leader and reluctantly admitted degenerate gambler hoped would reopen establishment doors and set him up for induction into the Baseball Hall of Fame. Instead, Rose came across as unrepentant and wholly incapable of getting out of his own way.<\/p>\n

\n\tReggie Dinkins is not Pete Rose. He is, unsurprisingly, a Tracy Morgan archetype \u2014 a perpetual man-child prone to malapropisms, na\u00efvet\u00e9 and unexpected bursts of wisdom, capable of misjudgments in the moment, but generally lovable. He attributes the ongoing opulence of his lifestyle to Monica\u2019s business savvy, but this is the sort of thing you don\u2019t want to think very hard about \u2014 either in terms of how few rough edges Reggie has for a degenerate gambler or any awareness Monica must have had about his proclivities.<\/p>\n

\n\tI\u2019m sure some of that will eventually be discussed \u2014 presumably that\u2019s what led to the divorce \u2014 but through four episodes there\u2019s no indication that Reggie ever hit rock bottom or even a minor level of discomfort.<\/p>\n

\n\tSince we know the documentary is going to happen \u2014 because otherwise there\u2019s no show \u2014 the first 22 minutes are mostly Monica shaking her head in disapproval, being the quintessential sitcom wife.<\/p>\n

\n\tMorgan has always been a unique comic voice, and few people know how to channel that voice better than Carlock and Fey. But it takes three or four episodes before they also find a way to tap into the dramatic undercurrents that emerged in the better moments of his TBS comedy The Last O.G.<\/a><\/em><\/p>\n

\n\tHe\u2019s got a good match in Radcliffe, who has spent the decade+ since that boy wizard franchise proving time and time again what an eager and generous comic foil he is. The pilot isn\u2019t quite sure what makes Arthur funny, alternating between jokes about his artistic pretensions and his extreme whiteness. The former gets downplayed subsequently, and the latter gets dropped entirely.<\/p>\n

\n\tInstead, in the third and fourth episodes, the series finds what\u2019s sympathetic in Reggie and Arthur\u2019s intersecting desperation, and benefits from it.<\/p>\n

\n\tWhat the show really benefits from, starting with the second episode, is finding what\u2019s funny and insecure about Monica. Once she isn\u2019t a wet blanket she becomes a real character, and Alexander, who Hollywood has only periodically found ways to fully utilize since Living Single<\/em>, is great. Moynihan gets better as the series finds a way to expose the loneliness behind his goofball exterior, just as Precious Way begins to pop when Brina isn\u2019t just being put out there as a future trophy wife. So far, Carmelo has had the least chance to develop a real character, but the fourth episode, in which Monica considers dating an agent, gives hints of what Hall can do with stronger material.<\/p>\n

\n\t(Why is the camera crew filming extended conversations about Monica\u2019s dating life? Is the documentary aesthetic really being consistently applied at any point? These are questions you\u2019ll have to assume will either be answered or smoothed over.)<\/p>\n

\n\tThe series hasn\u2019t really built an ensemble yet. Arthur\u2019s crew seems to be one cameraman, entirely off-camera. Monica has an inept assistant played by Unstable<\/em><\/a> scene-stealer Rachel Marsh, who might be good for regular laughs but so far she\u2019s only recurring.<\/p>\n

\n\tBut it feels like things are coming together.<\/p>\n

\n\tIn the short-term, though, The Fall and Rise of Reggie Dinkins<\/em> is, like the lesser stages of Fey\/Carlock shows, beholden to the hit-and-miss nature of its cutaways \u2014 including various products Reggie has endorsed, one odd commercial Arthur directed (unclear why a commercial shot by the director of the documentary is being included in the documentary), and several big laughs generated by outside projects Reggie made thanks to his fame.<\/p>\n

\n\tI\u2019d say the pilot is a little more miss than hit, but the ratio gets better with each episode I\u2019ve seen.<\/p>\n<\/div>\n


\n
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I don\u2019t mean to tell Hollywood\u2019s creative forces what to do, but the pace of sports mockumentary production has fallen well behind the pace of sports documentary production. The latter is a genre that \u2014 as much as I watch it vociferously \u2014 is always in need of a little ego deflation. There are great […]<\/p>\n","protected":false},"author":1,"featured_media":80310,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow2JLhCw:productID":"","_gspb_post_css":"","maa_idioma":"","maa_pais":"","footnotes":""},"categories":[2725],"tags":[9405,14579,4279,6431,4357,14578,4959,7207,12765],"class_list":["post-80309","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-europe","tag-comedy","tag-dinkins","tag-fall","tag-morgan","tag-nbc","tag-reggie","tag-review","tag-rise","tag-tracy"],"blocksy_meta":[],"yoast_head":"\n'The Fall and Rise of Reggie Dinkins' Review: Tracy Morgan NBC Comedy - Ubirat\u00e3 Online Not\u00edcias - A realidade ao seu alcance!<\/title>\n<meta name=\"description\" content=\"I don\u2019t mean to tell Hollywood\u2019s creative forces what to do, but the pace of sports mockumentary production has fallen well behind the pace of sports\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ubirataonline.com.br\/en\/the-fall-and-rise-of-reggie-dinkins-review-tracy-morgan-nbc-comedy\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"'The Fall and Rise of Reggie Dinkins' Review: Tracy Morgan NBC Comedy\" \/>\n<meta property=\"og:description\" content=\"I don\u2019t mean to tell Hollywood\u2019s creative forces what to do, but the pace of sports mockumentary production has fallen well behind the pace of sports\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ubirataonline.com.br\/en\/the-fall-and-rise-of-reggie-dinkins-review-tracy-morgan-nbc-comedy\/\" \/>\n<meta property=\"og:site_name\" content=\"Ubirat\u00e3 Online Not\u00edcias - 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