{"id":96365,"date":"2026-03-21T08:11:43","date_gmt":"2026-03-21T11:11:43","guid":{"rendered":"https:\/\/ubirataonline.com.br\/peaky-blinders-the-immortal-man-review-netflix-sequel-film\/"},"modified":"2026-03-21T08:11:43","modified_gmt":"2026-03-21T11:11:43","slug":"peaky-blinders-the-immortal-man-review-netflix-sequel-film","status":"publish","type":"post","link":"https:\/\/ubirataonline.com.br\/en\/peaky-blinders-the-immortal-man-review-netflix-sequel-film\/","title":{"rendered":"\u2018Peaky Blinders: The Immortal Man\u2019 Review: Netflix Sequel Film"},"content":{"rendered":"<p><\/p>\n<div>\n<p class=\"paragraph larva \/\/  a-font-body-m\">\n\t<em><a href=\"https:\/\/www.hollywoodreporter.com\/t\/peaky-blinders\/\" id=\"auto-tag_peaky-blinders\" data-tag=\"peaky-blinders\">Peaky Blinders<\/a> <\/em>was a 2010s phenomenon that hinged on three core elements: vibes, vibes and <a href=\"https:\/\/www.hollywoodreporter.com\/t\/cillian-murphy\/\" id=\"auto-tag_cillian-murphy\" data-tag=\"cillian-murphy\">Cillian Murphy<\/a> looking irresistibly irascible on a horse. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m\">\n\tThe Birmingham-set British gangster period drama, set between 1919 and the mid-1930s, was sometimes superficially compared to <em>The Sopranos <\/em>during its early seasons \u2014 likely only because both TV series glorified violence, fetishized outsider status and worshipped bygone aesthetics of masculinity. The connections between the two shows are ultimately skin-deep, however, because <em>The Sopranos<\/em> maintained cinephilic pedantry while <em>Peaky Blinders<\/em> employed a bro-core vision of cool. The consummate <em>Peaky Blinders<\/em> tableau features hard rock and punk songs interwoven with images of stacked thugs in wool suits and newsboy caps striding around menacingly. Sometimes astride horses. If it makes you feel something, that\u2019s great. The production design and photography were always top-notch, but the writing could never fulfill the promise of its atmosphere.<\/p>\n<div class=\"review-summary-card\">\n<div class=\"lrv-u-flex lrv-u-flex-direction-column@mobile-max lrv-u-padding-a-125 u-background-color-honey-light\">\n<div class=\"lrv-u-flex lrv-u-flex-direction-column u-width-275@tablet u-border-b-1@mobile-max u-border-r-1@tablet u-border-dotted lrv-u-margin-r-150 lrv-u-padding-r-150 lrv-u-margin-r-00@mobile-max lrv-u-padding-r-00@mobile-max lrv-u-padding-b-125@mobile-max lrv-u-margin-b-075@mobile-max\">\n<h3 id=\"title-of-a-story\" class=\"c-title  lrv-u-font-family-primary u-font-size-34 u-font-size-38@desktop-xl lrv-u-line-height-small lrv-u-margin-b-125\">\n<p>\t\t\t\t\tPeaky Blinders: The Immortal Man\t\t<\/p>\n<\/h3>\n<p>\n\t\t\t\t\t<span class=\"lrv-u-text-transform-uppercase lrv-u-font-family-accent lrv-u-font-weight-bold lrv-u-color-brand-primary lrv-u-font-size-16 lrv-u-display-block\">The Bottom Line<\/span><br \/>\n\t\t\t\t\t<span class=\"c-span  u-font-size-22@tablet u-font-style-italic lrv-u-font-family-secondary\"><\/p>\n<p>\tStylish misery business.<br \/>\n\t<\/span>\n\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t<strong>Release date<\/strong>: Friday, March 20 (Netflix)<br \/><strong>Cast<\/strong>: Cillian Murphy, Barry Keoghan, Rebecca Ferguson, Tim Roth, Sophie Rundle, Stephen Graham<br \/><strong>Director<\/strong>: Tom Harper<br \/><strong>Screenwriter<\/strong>: Steven Knight<br \/><span><br \/>\n\t\t\t\t\t\t\t\t\tRated R,<br \/>\n\t\t\t\t\t\t\t\t1 hour 52 minutes\t\t\t<\/span>\n\t\t<\/p>\n<\/p><\/div>\n<\/div>\n<p class=\"paragraph larva \/\/  a-font-body-m\">\n\tPersonally, I always felt <em>Peaky Blinders<\/em> had more in common with <em>Downton Abbey<\/em> than other antihero dramas of the era. You know, just a bit of frothy fun that\u2019s probably more appealing to look at than to pay deep attention to. The link between these two British crossover hits never felt more palpable to me than while watching <em><a href=\"https:\/\/www.hollywoodreporter.com\/t\/peaky-blinders-the-immortal-man\/\" id=\"auto-tag_peaky-blinders-the-immortal-man\" data-tag=\"peaky-blinders-the-immortal-man\">Peaky Blinders: The Immortal Man<\/a><\/em>, a digestible but unaspiring two-hour feature-length film available on Netflix. It serves as an epilogue of sorts to the show, which ended in 2022 after a six-season run. It\u2019s pretty to look at and the performances are indeed strong \u2014 particularly from <a href=\"https:\/\/www.hollywoodreporter.com\/t\/barry-keoghan\/\" id=\"auto-tag_barry-keoghan\" data-tag=\"barry-keoghan\">Barry Keoghan<\/a>, who seems to have sexual chemistry with every single screen partner, including a Nazi surrogate father, some random business owner he\u2019s beating up and his character\u2019s biological aunt. Yet even the fan service here seems swift and half-hearted, as if we\u2019re churning through plot quickly just to get to some foretold conclusion. Tom Harper (<em><a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-reviews\/wild-rose-review-1142008\/\">Wild Rose<\/a><\/em>) directs a script from show creator Steven Knight.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m\">\n\tI\u2019m the first to admit that one woman\u2019s <a href=\"https:\/\/www.hollywoodreporter.com\/tv\/tv-reviews\/power-book-iii-raising-kanan-review-season-4-1236157786\/\">high drama<\/a> is another woman\u2019s corny soap opera. In this case, the overly simplistic and expository dialogue seems to suffer from a serious case of <a href=\"https:\/\/www.theguardian.com\/tv-and-radio\/2025\/jan\/17\/not-second-screen-enough-is-netflix-deliberately-dumbing-down-tv-so-people-can-watch-while-scrolling\" rel=\"nofollow\" target=\"_blank\">second screen-itis<\/a>.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m\">\n\tMurphy returns as Tommy Shelby, the forever-haunted former leader of the vicious but respected Peaky Blinders posse. When we got to know Tommy in the first season, he was a young man of Romani and Irish Traveller origins fresh out of serving in World War I and already making his mark on the Birmingham underworld with the aid of his unpredictable family. In <em>Immortal Man<\/em>, Tommy is now grizzled and grief-stricken. It\u2019s 1940 and the Midlands are suffering the Blitz. At the series\u2019 conclusion, after confronting his own falsely predicted death and facing the brutality of his legacy, Tommy burnt his Romani caravan and withdrew from all social ties. Years later, we see he hasn\u2019t been living much of a life after all. He\u2019s sequestered in a derelict estate shooting pigeons and writing his <em>mea culpa<\/em> autobiography on a creaky typewriter, plagued by apparitions of his young daughter long dead from tuberculosis. His troubled brother, Arthur (Paul Anderson), is no longer in his life for reasons that become clear soon enough.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m\">\n\tTommy is steadfastly uninterested in the fate of his crew without him until he\u2019s visited by two semi-unwanted women: his strong-willed sister, Ada (Sophie Rundle), now a representative politician in their home district; and Kaulo (<a href=\"https:\/\/www.hollywoodreporter.com\/t\/rebecca-ferguson\/\" id=\"auto-tag_rebecca-ferguson\" data-tag=\"rebecca-ferguson\">Rebecca Ferguson<\/a>), a Romani woman who is tasked with leading Tommy to his ultimate destiny, or some such. Both women are a hero\u2019s call to adventure catalyst straight out of Joseph Campbell. Ada brings him news that Birmingham is in shambles after an aerial strike and that his son is running the Blinders into the ground with immoral decisions and alliances. In the meantime, Kaulo \u2014 and yes, that is indeed Ferguson in a witchy black wig and vaguely Slavic accent \u2014 may or may not be literally switching spirits with her dead twin sister, the mother of Tommy\u2019s illegitimate son.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m\">\n\tOh, and what a bastard he is! Late in the final <em>Peaky Blinders<\/em> season, Tommy was hit with the <em>deus ex machina<\/em> revelation of a long-lost son born to a \u201cgypsy\u201d named Zelda. (That terminology is used throughout this story universe seemingly in keeping with period lingo.) Formerly played by young actor Conrad Khan, Duke is now embodied by a desperate-to-please-any-available-daddy Keoghan in a bit of stunt casting. Nihilistic Duke claims to care about nothing and no one and, having taken over for his estranged father, has led the Blinders into criminal enterprises that actively threaten Britain\u2019s efforts to stave off the German war machine. This includes stealing everything, from artillery intended for the frontlines to blocks of morphine meant for bombing victims. (He\u2019s a baddun\u2019, he is!) <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m\">\n\tSoon, Duke\u2019s being courted by a mild-mannered British turncoat fascist named John Beckett (<a href=\"https:\/\/www.hollywoodreporter.com\/t\/tim-roth\/\" id=\"auto-tag_tim-roth\" data-tag=\"tim-roth\">Tim Roth<\/a>), who schemes to use German-made counterfeit currency to flood the British market and crash the economy. Sure, Duke is tempted by the megaload of cash he\u2019ll make in the process, but he\u2019s much more seduced by this almost comically fiendish villain telling him he wishes his own wimp son were manly like Duke.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m\">\n\tCan Tommy Shelby rescue his antisocial son from the 1940s U.K. equivalent of the Manosphere? Or is he just as empty and untethered as junior?<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m\">\n\tAt times, <em>Immortal Man<\/em> is so visually stunning that it seems a shame most people will catch it at home in between glancing at their phones. Director of photography George Steel showcases masterful use of composition and contrast. His team captures the Northern English mist, ancient city stones and crepuscular light in a such a sensuous way that it\u2019s impossible not to feel the dewy chill of the geography. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m\">\n\tUnfortunately, sometimes these painterly scenes are interrupted by a tendency toward visual cheesiness, such as editorial cuts to hazy reveries. Another visual motif also happens to be the sheer quantity of sharp-as-knives cheekbones at the ready among the cast. There\u2019s nary a single buccal fat molecule in sight.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m\">\n\t<em>Immortal Man<\/em> certainly is a lot of misery business, but the misery is done in high style.<\/p>\n<\/div>\n<p><a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-reviews\/peaky-blinders-the-immortal-man-review-netflix-sequel-film-1236542078\/\">Source link <\/a><br \/>\nSee more https:\/\/theglobaltrack.com\/<\/p>","protected":false},"excerpt":{"rendered":"<p>Peaky Blinders was a 2010s phenomenon that hinged on three core elements: vibes, vibes and Cillian Murphy looking irresistibly irascible on a horse. The Birmingham-set British gangster period drama, set between 1919 and the mid-1930s, was sometimes superficially compared to The Sopranos during its early seasons \u2014 likely only because both TV series glorified violence, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":96366,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow2JLhCw:productID":"","_gspb_post_css":"","maa_idioma":"","maa_pais":"","footnotes":""},"categories":[1],"tags":[5102,3375,18380,3129,4658,5101,4959,7466],"class_list":["post-96365","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ubirata","tag-blinders","tag-film","tag-immortal","tag-man","tag-netflix","tag-peaky","tag-review","tag-sequel"],"blocksy_meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.6 (Yoast SEO v27.6) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u2018Peaky Blinders: The Immortal Man\u2019 Review: Netflix Sequel Film - Ubirat\u00e3 Online Not\u00edcias - A realidade ao seu alcance!<\/title>\n<meta name=\"description\" content=\"Tim Roth and Rebecca Ferguson join Cillian Murphy in &#039;Peaky Blinders: The Immortal Man,&#039; 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